A NEW YORK TIMES NOTABLE BOOK OF THE YEAR When Peggy Orenstein's now-classic examination of young girls and self-esteem was first published, it set off a groundswell that continues to this day. Inspired by an American Association of University Women survey that showed a steep decline in confidence as girls reach adolescence, Orenstein set out to explore the obstacles girls face--in school, in the hoime, and in our culture. For this intimate, girls' eye view of the world, Orenstein spent months observing and interviewing eighth-graders from two ethnically disparate communities, seeking to discover what was causing girls to fall into traditional patterns of self-censorship and self-doubt. By taking us into the lives of real young women who are struggling with eating disorders, sexual harrassment, and declining academic achievement, Orenstein brings the disturbing statistics to life with the skill and flair of an experienced journalist. Uncovering the adolescent roots of issues that remain important to American women throughout their lives, this groundbreaking book challenges us to change the way we raise and educate girls.

Japanese society in the 1990s and 2000s produced a range of complicated material about sexualized schoolgirls, and few topics have caught the imagination of western observers so powerfully. While young Japanese girls had previously been portrayed as demure and obedient, in training to become the obedient wife and prudent mother, in recent years less than demure young women have become central to urban mythology and the content of culture. The cultic fascination with the figure of a deviant school girl, which has some of its earliest roots in the nineteenth and early twentieth centuries, likewise re-emerged and proliferated in fascinating and timely ways in the 1990s and 2000s. Through exploring the history and politics underlying the cult of girls in contemporary Japanese media and culture, this book presents a striking picture of contemporary Japanese society from the 1990s to the start of the 2010s. At its core is an in-depth case study of the media delight and panic surrounding delinquent prostitute schoolgirls. Sharon Kinsella traces this social panic back to male anxieties relating to gender equality and female emancipation in Japan. In each chapter in turn, the book reveals the conflicted, nostalgic, pornographic, and at times distinctly racialized manner, in which largely male sentiments about this transformation of gender relations have been expressed. The book simultaneously explores the stylistic and flamboyant manner in which young women have reacted to the weight of an obsessive and accusatory male media gaze. Covering the often controversial subjects of compensated dating (enjo kôsai), the role of porn and lifestyle magazines, the historical sources and politicized social meanings of the schoolgirl, and the racialization of fashionable girls, Schoolgirls, Money, Rebellion in Japan will be invaluable to students and scholars of Japanese culture and society, sociology, anthropology, gender and women's studies.

Designer Kathleen Tracy is back with more delightful little quilts! This time she's gathered a treasury of 4" blocks reminiscent of those sewn by schoolgirls during the nineteenth century. Make all 72 timeless blocks and combine them in a sampler quilt or select a few favorites to use in any of six other charming quilts. Quick to stitch and perfect for reproduction-fabric scraps, the blocks are easy to make and you can complete several in one sitting or complete a small quilt in a weekend. Kathy includes plenty of tips for sewing small blocks, and her simple cutting instructions and clear piecing diagrams will help you succeed as you stitch each pint-sized treat.

The novella that first propelled Dazai into the literary elite of post-war Japan. Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them--a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the reader a new window into the mind of one of the greatest Japanese authors of the 20th century.

IT was precisely five minutes past eleven on the first day of the autumn term, and Avondale College, which for seven whole weeks had been lonely and deserted, and given over to the tender mercies ofpaperhangers, painters, and charwomen, once more presented its wonted aspect of life and bustle.The reopening was a very important event in the opinion of everybody concerned, partly because itmarked the beginning of a fresh school year, and partly because the building had been altered andenlarged, many changes made in the curriculum, and many new names added to the already long listin the register. Three hundred and eighty-seven pupils had assembled that morning in the greatlecture hall, the largest number on record at the College; five additional classes had been formed, and there were six extra mistresses. At the eleven o'clock interval the place seemed swarming withgirls; they thronged the staircase and passages, filled the pantry, blocked the dressing-rooms, andoverflowed into the playground and the gymnasium-girls of all sorts and descriptions, from theten-year-olds who had just come up (rather solemn and overawed) from the Preparatory to thoseelect and superior damsels of seventeen who were studying for their Matriculation.By the empty stove in the Juniors' Common Room stood half a dozen "betwixt-and-betweens", whose average age probably worked out at fourteen and a quarter, though Mavie Morris was agiantess compared with little Ruth Harmon. The six heads were bent together in closest proximity, and the six tongues were particularly active, for after the long summer holidays there was such a vastamount to talk about that it seemed almost impossible to discuss all the interesting items of newswith sufficient rapidity."The old Coll. looks no end," said Grace Russell. "It's so smart and spanky now-one hardlyknows it! Pictures in the classrooms, flowers on the chimneypieces, a stained glass window in thelecture hall, busts on brackets all along the corridor wall, and the studio floor polished! Every singleplace has been done up from top to bottom.""I'd like it better if it didn't smell so abominably of new paint," objected Noëlle Kennedy. "WhenI opened the studio door, the varnish stuck to my fingers. However, the school certainly looks muchnicer. Why, even the book cupboard has been repapered.""That's because you splashed ink on the wall last term. Don't you remember how fearfully crossMiss Hardy was about it?""Rather! She insisted that I'd done it on purpose, and couldn't and wouldn't believe it was anaccident. Well, thank goodness we've done with her! I'm glad teachers don't move up with theirforms.

In her classic tale, Charlotte Brontë introduced readers to the strong-willed and intelligent Jane Eyre. Picking up where Brontë left off, Jane’s life has settled into a comfortable pattern: She and her beloved Edward Rochester are married and have an infant son. But Jane soon finds herself in the midst of new challenges and threats to those she loves… Jane can’t help but fret when a letter arrives from Adèle Varens—Rochester’s ward, currently at boarding school—warning that the girl’s life is in jeopardy. Although it means leaving her young son and invalid husband, and despite never having been to a city of any size, Jane feels strongly compelled to go to London to ensure Adèle’s safety. But almost from the beginning, Jane’s travels don’t go as planned—she is knocked about and robbed, and no one believes that the plain, unassuming Jane could indeed be the wife of a gentleman; even the school superintendent takes her for an errant new teacher. But most shocking to Jane is the discovery that Adèle’s schoolmate has recently passed away under very suspicious circumstances, yet no one appears overly concerned. Taking advantage of the situation, Jane decides to pose as the missing instructor—and soon uncovers several unsavory secrets, which may very well make her the killer’s next target…