Isolation commiserations from the creator of the iconic “Cathy” comic strip, Cathy Guisewite! We’re all in this together…but it helps to see someone else with her face planted in the bowl of mashed potatoes. In the same way that Cathy was a relatable friend during the comic strip years, she’s returned to offer some happy relief, support, and a much-needed AACK from isolation. This little book is a compassionate companion for right now and, long after the pandemic is over, will be a treasured scrapbook of what we survived—the fear of droplets, the work-from-refrigerator wear, the revenge retail therapy of online shopping, the frustration of trying to teach Grandma to Zoom from 3,000 miles away, the little shreds of hope mixed in with the sourdough bread dough. From the introduction: I’ve worn the same pair of sweatpants for fourteen months. I’ve binge watched, binge eaten, binge shopped, binge prayed. I’ve Zoomed. Streamed. Screamed. Googled how to get hot fudge out of a duvet cover. Googled how to chop my insulting blue jeans into face masks. Googled how to permanently delete my Google search history. I’ve meditated, looked within and asked the big questions: “If no one’s allowed in my house for months, what’s the point of vacuuming?”

From the creator of the iconic Cathy comic strip comes her first collection of funny, wise, poignant, and incredibly honest essays about being a woman in what she lovingly calls "the panini generation." As the creator of Cathy, Cathy Guisewite found her way into the hearts of readers more than forty years ago, and has been there ever since. Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now Guisewite returns with her signature wit and warmth in this essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle. With her uniquely wry and funny admissions and insights, Guisewite unearths the humor and horror of everything from the mundane (trying to introduce her parents to TiVo and facing four decades' worth of unorganized photos) to the profound (finding a purpose post-retirement, helping parents downsize their lives, and declaring freedom from all those things that hold us back). No longer confined to the limits of four cosmic panels, Guisewite holds out her hand in prose form and becomes a reassuring companion for those on the threshold of "what happens next." Heartfelt and humane and always cathartic, Fifty Things That Aren't My Fault is ideal reading for mothers, daughters, and anyone who is caught somewhere in between.

Isolation commiserations from the creator of the iconic “Cathy” comic strip, Cathy Guisewite! We’re all in this together…but it helps to see someone else with her face planted in the bowl of mashed potatoes. In the same way that Cathy was a relatable friend during the comic strip years, she’s returned to offer some happy relief, support, and a much-needed AACK from isolation. This little book is a compassionate companion for right now and, long after the pandemic is over, will be a treasured scrapbook of what we survived—the fear of droplets, the work-from-refrigerator wear, the revenge retail therapy of online shopping, the frustration of trying to teach Grandma to Zoom from 3,000 miles away, the little shreds of hope mixed in with the sourdough bread dough. From the introduction: I’ve worn the same pair of sweatpants for fourteen months. I’ve binge watched, binge eaten, binge shopped, binge prayed. I’ve Zoomed. Streamed. Screamed. Googled how to get hot fudge out of a duvet cover. Googled how to chop my insulting blue jeans into face masks. Googled how to permanently delete my Google search history. I’ve meditated, looked within and asked the big questions: “If no one’s allowed in my house for months, what’s the point of vacuuming?”

This book explores the influence of geographical isolation and peripherality on the functioning of music industries and scenes which operate within and from such locales. As is explored, these sites engage dynamic practices to offset challenges resulting from geographical isolation and peripherality.

What has been on artists' and creatives' minds during the Covid-19 pandemic and the waves of quarantine orders that have washed over the planet? That has been the question animating the initiative STILL HERE: Moments in Isolation. Since March 2020, co-curators Roya Sachs and Mafalda Millies, alongside producer Lizzie Edelman, have invited prominent denizens in the worlds of art and culture to submit a still life image with an accompanying text, or thought, sharing their experience. Originally conceived as a digital campaign the project in collaboration with DISTANZ is now spanning across six continents. STILL HERE is rooted in the still life, with its iconic depictions of inanimate objects, finding 'beauty' in banality. The book presents a selection of one hundred submissions for the project and illustrates that, despite the current restrictions, a profound sense of community and creativity is still alive and pulsing in the private spaces of many. With contributions by the artists such as Monica Bonvicini, Tosh Basco fka Boychild, Katherine Bernhardt, Simon Denny, Marcel Dzama, Issy Wood, Shirin Neshat, Adam Pendleton, Laure Prouvost, Wolfgang Tillmans, Raphaela Vogel, Paul Mpagi Sepuya, among many more, alongside authors such as Chris Kraus, ballet dancer David Hallberg, neuroscientist Mendel Kaelen, auctioneer Simon de Pury and sexual anthropologist Betony Vernon. An essay by the art critic Jennifer Higgie relates personal encounters with iconic still lifes to sketch the genre's history from antiquity to the present. Each book includes a bookmark with a custom scent attached to it, developed by renowned olfactory artist and smell researcher Sissel Tolaas. The visual diary will also come to life through a selection of commissioned augmented reality videos and sound pieces using the DISTANZ App.

With masterful storytelling, Travis Thrasher draws readers into a novel so gripping it cannot be put down. James Miller is a burned-out missionary whose time on the mission field in Papua New Guinea left him exhausted and disillusioned. His wife, Stephanie, feels like she's losing her mind. After moving to North Carolina, Stephanie begins seeing strange and frightening things: blood dripping down the walls, one of her children suffocating. Premonitions, she's sure, of what's to come. As the visions and haunting images intensify, Stephanie asks her brother to come for a much-needed visit--but he's hiding secrets of his own that will prove more destructive than Stephanie can imagine. Nine-year-old Zachary sees his family's move as an adventure, and as he explores the new house, he discovers every young boy's dream: secret passageways and hidden rooms. But what seems exciting at first quickly becomes altogether frightening. When a snowstorm traps the Millers, the supernatural dangers of their new home will test everything they thought they knew about each other, and about their faith.