Building on the biblical story of Jacob wrestling with God and on the story of her own battle with life-changing disappointment, Sister Joan Chittister deftly explores the landscape of suffering and hope. (Practical Life)

Building on the biblical story of Jacob wrestling with God and on the story of her own battle with life-changing disappointment, Sister Joan Chittister deftly explores the landscape of suffering and hope, considering along the way such wide-ranging topics as consumerism, technology, grief, the role of women in the Catholic Church, and the events of September 11, 2001.

In this beautiful book best-selling author Joan Chittister and celebrated artist John August Swanson together reclaim the ancient story of Ruth as a model for contemporary women seeking a fully spiritual life. In concert with Swanson's rich and evocative art, Chittister's graceful prose explores, through this powerful biblical story, a series of twelve defining moments in every woman's life — moments of loss, change, transformation, aging, independence, respect, recognition, insight, empowerment, selfdefinition, invisibility, and fulfillment. A lovely blend of art and text, The Story of Ruth offers inspiration for women seeking wholeness and presents compelling devotional images for eyes and mind alike.

The “witty and accessible” bestseller by the Atlantic Monthly editor who rules on linguistic disputes (San Francisco Chronicle). Atlantic Monthly senior editor Barbara Wallraff first began answering grammar questions on AOL in the 1990s, and the site’s success soon morphed into a regular magazine feature. In Word Court, Wallraff moves beyond her column to preside over common and uncommon cases, establishing rules for such issues as turns of phrase, slang, name usage, punctuation, and newly coined vocabulary. With true wit, she deliberates and decides on the right path for lovers of language, ranging from classic questions (is “a historical” or “an historical” correct?) to awkward issues (How long does someone have to be dead before we should all stop calling her “the late”?). The result is a warmly humorous, reassuring, and brilliantly perceptive tour of how and why we speak the way we do. “A logophile’s delight.” —San Diego Union-Tribune “Her approach to language is a beguiling mix of charm and research” —USA Today

What does it mean to be human in a world filled with tragedy? With creativity and insight Edward Farley, one of today's most respected theologians, here addresses this universal and haunting question of evil. Farley anchors his discussion firmly in interhuman (I-thou) dynamics as a key to unfolding the personal and social spheres of human existence. "It is," says Farley, "the corruption of elemental passions and the resulting contagion of the personal and social spheres that provide a total view of human evil and its redemptive possibilities."

Since the release of the very successful first edition in 2001, the field of emotional intelligence has grown in sophistication and importance. Many new and talented researchers have come into the field and techniques in EI measurement have dramatically increased so that we now know much more about the distinctiveness and utility of the different EI measures. There has also been a dramatic upswing in research that looks at how to teach EI in schools, organizations, and families. In this second edition, leaders in the field present the most up-to-date research on the assessment and use of the emotional intelligence construct. Importantly, this edition expands on the previous by providing greater coverage of emotional intelligence interventions. As with the first edition, this second edition is both scientifically rigorous, yet highly readable and accessible to a non-specialist audience. It will therefore be of value to researchers and practitioners in many disciplines beyond social psychology, including areas of basic research, cognition and emotion, organizational selection, organizational training, education, clinical psychology, and development psychology.

The author begins her exploration of the Christian life with the memory of childhood afternoons spent rocking in green wicker chairs on her grandmother's front porch, listening to the stories of women who came to call. The image of calling as baptismal vocation, the sharing of time and conversation, the vision that informs our choices and actions is vividly described through Westerhoff's stories drawn from her life and work. Narratives of what it means to live as a Christian provide the variations on the baptismal themes of ministry, community, and responsibility in this "song for the baptized."