The first book in a brand-new illustrated chapter book series inspired by the life of 11-year-old viral video star and social activist Sarai Gonzalez. Sarai Gonzalez is AWESOME. Fourth grader Sarai Gonzalez can do anything. She can bake, dance, and run her own cupcake business. But when Sarai's grandparents are forced to move, even Sarai's not sure what to do. So she hatches a super-awesome plan with her younger sisters and cousin to buy back the house. But houses are more expensive than she ever thought, her sisters won't listen, and she's running out of time. Will Sarai find a way to save the day?Inspired by the life of viral video sensation and social activist Sarai Gonzalez with the help of award-winning children's book author Monica Brown.

Now an action film starring William Levy and Alicia Sanz in Brazos De Un Asesino! ★ ★ ★ ★ ★ "This series is Spectacular!" - SMI BOOK CLUB ★ ★ ★ ★ ★ "Mind-f*ck at its finest and I loved every single minute of it." - Amazon Customer ★ ★ ★ ★ ★ "Say goodbye to your nails..." - Amazon Customer on Killing Sarai ★ ★ ★ ★ ★ "Dark, compelling, deathly violent and just fan-bloody-tastic!" - Goodreads Reviewer on Reviving Izabel ★ ★ ★ ★ ★ "5+ Crushing, Amazing & Shocking STARS" - The Book Enthusiast on The Swan & the Jackal ★ ★ ★ ★ ★ "There is no going back for me, this series has me completely and utterly addicted..." - Books She Reads *** Sarai was only fourteen when her mother uprooted her to live in Mexico with a notorious drug lord. Over time she forgot what it was like to live a normal life, but she never let go of her hope to escape the compound where she has been held for the past nine years. Victor is a cold-blooded assassin who, like Sarai, has known only death and violence since he was a young boy. When Victor arrives at the compound to collect details and payment for a hit, Sarai sees him as her only opportunity for escape. But things don’t go as planned, and instead of finding transport back to Tucson, she finds herself free from one dangerous man and caught in the clutches of another. While on the run, Victor strays from his primal nature as he succumbs to his conscience and resolves to help Sarai. As they grow closer, he finds himself willing to risk everything to keep her alive, even his relationship with his devoted brother and liaison, Niklas, who now, like everyone else, wants Sarai dead. As Victor and Sarai slowly build trust, the differences between them seem to lessen, and an unlikely attraction intensifies. But Victor’s brutal skills and experience may not be enough, in the end, to save her, as the power she unknowingly holds over him may ultimately be what gets her killed.

A fresh and provocative debut novel about a reclusive young woman saving up for weight loss surgery when she gets drawn into a shadowy feminist guerilla group called "Jennifer"--equal parts Bridget Jones's Diary and Fight Club

From activist and viral video star Sarai Gonzalez! When Sarai outgrows her bike, she worries she'll never get to travel anywhere. But, when Martin Luther King Jr. Elementary hosts their first Around the World Fair, Sarai learns that with a little imagination, you can go anywhere you want!Inspired by the life of viral video sensation and social activist Sarai Gonzalez with the help of award-winning children's book author Monica Brown.

The third book in the Sarai Gonzalez illustrated chapter book series inspired by the life of viral video sensation and social activist Sarai Gonzalez. They're cutting funding at Sarai's school and her band program is the first to go. That is totally not okay with Sarai. She decides to organize a benefit concert to raise money! When she and her bandmates promote the concert on their video channel, it catches the attention of Sarai's favorite singer, Sparkles Sanchez! Can Sarai save the music?

"Sarai Walker has done it again. With The Cherry Robbers she upends the Gothic ghost story with a fiery feminist zeal." —Maria Semple The highly anticipated second novel from Sarai Walker, following her “slyly subversive” (EW) cult-hit Dietland—a feminist gothic about the lone survivor of a cursed family of sisters, whose time may finally be up.? IT SHOULD HAVE BEEN THE FIRST DAY OF THE REST OF THEIR LIVES. INSTEAD IT WAS THE LAST. Iris Chapel and her five elegant sisters, all of them heiresses to the Chapel firearms fortune, live cloistered in a lavish Victorian mansion. Neglected by both a distant, workaholic father and a mentally troubled mother—who believes their home is haunted by the victims of Chapel weapons—the sisters have grown up with only each other for company. They long to escape the eerie fairy tale of their childhood and move forward into the modern world, but for young women in 1950s Connecticut, the only way out is through marriage. Yet it soon becomes clear that for the Chapel sisters, marriage equals death. When the eldest sister walks down the aisle, tragedy strikes. The bride dies mysteriously the very next day, leaving her family and the town in shock. But this is just the beginning of a chain of disasters that will make each woman wonder whether true love will kill her, too. Only Iris, the second-youngest, finds a way to escape—but can she outrun the family curse forever? Sarai Walker, the acclaimed author of the cult-hit novel Dietland, building off the Gothic tradition of Shirley Jackson, brings to life this riveting, deliciously twisted feminist tale, a gorgeous and provocative page-turner about the legacy of male power and the cost of female freedom.

Who was the mother goddess of the ancient religion of Israel, the spouse of the god Yahweh? Archaeological and literary-biblical studies refer to her as “Asherah,” yet, they cannot explain why this name is not mentioned in the book of Genesis, a book that portrays the formation of Israel's religion. In this groundbreaking book, Dvora Lederman-Daniely provides an answer to this enigmatic question. Based on meticulous research she argues the goddess’s name does appear in the book of Genesis but it is concealed within the name of the first human matriarch of the people of Israel: Sarai. Deciphering and identifying the forgotten and censored name of the divine spouse of Yahweh opens the door to a revolutionary understanding of the relationship between Yahweh and the people of Israel, as perceived during the formation of the Hebrew people. Moreover, biblical images and metaphors are stripped back and their outrageous mythological content is laid bare. Through careful argument Lederman-Daniely excavates the very origins of Jewish customs and decrees exposing how they embody the ancient worship of a goddess who was Yahweh’s spouse.