This book contains proceedings of the international conference Santini and Italy, held in Rome in June 2023. In his contribution, Augusto Roca de Amicis describes the nature of the structural relations of Santini's work to Italian architecture. Pavel Kalina discusses the development of Santini scholarship in the art historical literature of the 20th and early 21st centuries. Richard Biegel shows in his contribution that the sources of Santini's work can be found not only in Italian but also in French architecture. Michael Young's text points to the connection between Santini's architecture and contemporary literary theory and practice, which blended different languages and styles. In his article, Ulrich Fürst stresses the importance of a sense of originality for the design of the Benedictine monastery church at Rajhrad, whose construction demonstrated its independence from the monastery of Břevnov, for which the Dientzenhofers worked. Johana Bronková explores the relationship between Santini's architecture and the work of the great Italian architect Francesco Borromini. Marisa Tabarrini presents a completely new discovery - the unknown plans of Santini's church of St. Peter and Paul in Prague's Zderaz. Important for understanding the functioning of Baroque buildings is the article by Jakub Řehak, who analyses the water and ventilation system of the monastery in Plasy. On the other hand, Madleine Riedenklau's text is devoted to the literature on the monastery and church in Sedlec. Irena Bukačová introduces the reader to the past and present of the pilgrimage site in Mariánská Týnice.

Utopian thought and experimental approaches to societal organization have been rare in the last decades of planning and politics. Instead, there is a widespread belief in ecological modernization, that sustainable societies can be created within the frame of the current global capitalist world order by taking small steps such as eco-labeling, urban densification, and recycling. However, in the context of the current crisis in which resource depletion, climate change, uneven development, and economic instability are seen as interlinked, this belief is increasingly being questioned and alternative developmental paths sought. This collection demonstrates how utopian thought can be used in a contemporary context, as critique and in exploring desired futures. The book includes theoretical perspectives on changing global socio-environmental relationships and political struggles for alternative development paths, and analyzes micro-level practices in co-housing, alternative energy provision, use of green space, transportation, co-production of urban space, peer-to-peer production and consumption, and alternative economies. It contributes research perspectives on contemporary green utopian practices and strategies, combining theoretical and empirical analyses to spark discussions of possible futures.

Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an

"With this ATLAS we are attempting to offer some means of navigating present and near-future challenges and to find ways of describing and responding to humanity's state of ecological, economic and cultural interdependence"--P. 4.

The Skulpturensammlung und Museum fur Byzantinische Kunst is housed in the Bode-Museum, part of the ensemble of prestigious museums on the Museuminsel Berlin. Skulpturensammlung is one of the largest collections of ancient sculpture in the world (early Middle Ages to the late eighteenth century), with works from the German-speaking countries, France, the Low Countries, Italy and Spain. The collection includes works by legendary sculptors such as Donatello, Tilman Riemenschneider, Giovanni Lorenzo Bernini and Andreas Schluter. The Museum fur Byzantinische Kunst is a collection of Late Antique sarcophagi and sculpture from the Eastern Roman Empire, and ivory carvings from post-pharaonic, early Byzantine Egypt. The works presented in this volume are amongst the most prized by the museum's director, who combines expertise with a refreshingly personal perspective to invite the reader to experience them through new eyes. AUTHOR: Michael Eissenhauer has been Director-General of the Staatliche Museen zu Berlin since 2008. In August 2016 he additionally took on the direction of the Gemaldegalerie as well as the Skulpturensammlung and Museum fur Byzantinishce Kunst. SELLING POINTS: * A unique perspective on selected highlights from these prestigious institutions * World-famous works of ancient sculpture and Byzantine art * Part of Scala's acclaimed 'Director's Choice' series

On the 500th anniversary of Martin Luther’s 95 Theses, this opulent book presents a colorful introduction to Renaissance art and history. aturing more than a hundred outstanding paintings, drawings, &prints, sculptures, and treasures of the Age of the Reformation, &this publication comprises masterpieces by Albrecht Du&̈rer, &Lucas Cranach the Elder and Lucas Cranach the Younger, Hans &Holbein the Elder and Hans Holbein the Younger, Matthias &Gru&̈newald, and Tilman Riemenschneider, among others. By &placing these works in their historical context, this beautifully &illustrated book uses art as a prism through which to consider &the religious, social and political upheavals of the time. The &volume includes insightful texts that discuss pivotal subjects &such as traditional imagery and devotion, Reformation and &polemics, court life and culture, humanism and reality, as well &as portraiture and representation. Biographies of the artists, &an extensive bibliography and a glossary of central terms &concerning the German Reformation make this a comprehensive &study of a fascinating period in European art history.