Shanti's quest hangs on the edge of a knife... With Isaru's state critical, Shanti and the crew must leave him in the Hollow. They return to Colonia, this time with leverage that might see her parents saved. But things go from bad to worse when the Sanctum seeks retribution. Shanti finds herself a hunted woman. Former friends have turned to enemies as she flees to the Ruins. There, she hopes vainly that the Sphere Priests will know the true location of Anna's prophecy. They point her in the last place she expected -- the domed cities of the Shen Collective. When she meets with the Collective's overseer, a godlike AI, she learns the incredible truth. That truth will change everything...

After her best friend, Nadia, commits suicide, Lela Santos performs a farewell ritual to enter the gated city of Hell and save Nadia's soul.

After receiving a distress call from another submarine off the Syrian coast, the crew of the USS Nebraska search a series of massive caverns, where they discover a 70-year-old shipwrecked Soviet sub, whose crew died under mysterious circumstances. While investigating this enigma, the Nebraska’s away team discover a massive underground sanctum dedicated to Môt, the ancient Ugarit god of death. Now, the crew must find a way to escape the death god’s prison without freeing him to wreak destruction upon the world.

Tasting Difference examines early modern discourses of racial, cultural, and religious difference that emerged in the wake of contact with foreign peoples and foreign foods from across the globe. Gitanjali Shahani reimagines the contact zone between Western Europe and the global South in culinary terms, emphasizing the gut rather than the gaze in colonial encounters. From household manuals that instructed English housewives how to use newly imported foodstuffs to "the spicèd Indian air" of A Midsummer Night's Dream, from the repurposing of Othello as an early modern pitchman for coffee in ballads to the performance of disgust in travel narratives, Shahani shows how early modern genres negotiated the allure and danger of foreign tastes. Turning maxims such as "We are what we eat" on their head, Shahani asks how did we (the colonized subjects) become what you (the colonizing subjects) eat? How did we become alternately the object of fear and appetite, loathing and craving? Shahani takes us back several centuries to the process by which food came to be inscribed with racial character and the racial other came to be marked as edible, showing how the racializing of food began in an era well before chicken tikka masala and Balti cuisine. Bringing into conversation critical paradigms in early modern studies, food studies, and postcolonial studies, she argues that it is in the writing on food and eating that we see among the earliest configurations of racial difference, and it is experienced both as a different taste and as a taste of difference.

A survivor on the run After refusing the laws of her sadistic pack, Skye Markham barely escapes with her life, seeking sanctuary with the feared Blackwater pack. Hunted by her former Alpha and his soldiers, she's determined to create a life even though she knows they will come for her. An alpha with a pack to protect As the next alpha in line, Remy Holt has spent years guarding the Blackwater pack and his family from those who seek to seize control and destroy them. The last thing he needs or wants is Skye Markham and the dangers she brings with her adding to the stress on his pack, but his wolf has a different opinion. He wants her, and after one moment that shouldn't have been possible, he knows he'll never be able to let her go. A bond unlike any other Skye thought she was finally safe, but as her bond with Remy strengthens, the shifter world starts to break apart at the seams. Missing shifters, a dying population, and pack wars are all causing their sanctuary to crumble around them, and Skye is trapped in the middle of it all. Someone is out to destroy the pack and if they succeed, there will bring down everything Remy has sought to protect and for Skye... maybe there is no such thing as a sanctuary. SANCTUM is the first book in the Blackwater Pack series. It is 135,000 words. Possible trigger warnings: abuse, violence, language, and bullying.

A Lovecraftian and claustrophobic Sci-Fi thriller set under water.

Journey to the roots of the nightmare as the Nazi party attempts to control the ancient evil entity that was introduced in the bestselling series Sanctum.