This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.

Taken against the Arcadian backdrop of ber woodland summer home in Virginia, Sally Mann's extraordinary, intimate photographs of hcr children : Emmett, Jessie, and Virginia reveal truths that embody the individuality of ber immediate family and ultimately take on a universal quality. Mann states that ber work is "about everybody's memories, as well as their fears," a theme echoed by Reynolds Price in his eloquent, poignantly reflective essay accompanying the photographs in Immediate Family. With sublime dignity, acute wit, and feral grace, Mann's pictures explore the eternal struggle between the child's simultaneous dependence and quest for autonomy, the holding on, and the breaking away. This is the stuff of which Greek dramas are made : impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in Sally Mann's astonishing photographs. A traveling exhibition of Immediate Family, organized hy Aperture, opened at the Instituts of Contemporary Art in Philadclphia in the fall of 1992. All of the photographs in Immediate Family were taken with an 8-by-10-inch view camera.

Catalog of an exhibition held at the National Gallery of Art, Washington, March 4-May 28, 2018; Peabody Essex Museum, Salem, Massachusetts, June 30-September, 23, 2018; J. Paul Getty Museum, Los Angeles, November 20, 2018-February 10, 2019; Museum of Fine Arts, Houston, March 3-May 27, 2019; Jeu de Paume, Paris, June 17-September 22, 2019; and High Museum of Art, Atlanta, October 19, 2019-January 12, 2020.

Portraits of Young women.

Celebrates an artist whose acute perceptions and imagination embrace not only the photographs of children, for which she is renowned, but also the earlier landscapes and the unexpected, compelling forays into color and abstract photography.

Mann's photographs of her husband, Larry, who has late-onset muscular dystrophy.