For most of the past 90 years, Hollywood has used the Navy to freely obtain personnel, equipment, and locations for movies filled with adventure, romance, and drama, while the Navy gained a public image that boosted its recruiting efforts and its relations with Congress. Although the Vietnam War dis

Capt. Edward “Ned” Latimer Beach, Jr. USN is known primarily for his bestselling novel Run Silent, Run Deep, which was made into a film in 1958 with Clark Gable and Burt Lancaster and his record setting voyage as commanding officer of USS Triton (SSN(R) 586), that was the first submarine to circumnavigate of the globe while submerged. A highly-decorated United States Navy submarine officer, during World War II, he participated in the Battle of Midway as well as other 12 combat patrols, earning 10 decorations for gallantry, including the Navy Cross. His career also offers insights into the inner workings of power, from inside the Pentagon in the years right after World War II, to inside of the Eisenhower White House, to the politics of the Republican Party in the United States Senate in the 1970s,. In addition to serving as an officer aboard U.S. submarines in the Pacific during World War II, he was a prolific author publishing two novels in addition Run Silent, Run Deep, as well as numerous works on naval history. Ned Beach is a biography that weaves together the personal, professional and writing life of a man who for many was the public face of the submarine community in the years after the Second World War. With a father, who was a naval officer and the author of thirteen published novels in the 1910s & ‘20s, as the eldest son Ned Beach was greatly influenced to follow in his father’s footsteps and to become both an officer and a writer. From his youth in Palo Alto, California during the Great Depression to his service in the Pacific in the war against Japan to the epic submerged circumnavigation of the globe in early 1960 commanding one of the early nuclear powered submarines, Ned Beach’s career encompasses a revolutionary period in American naval history. Not only did he experience it, he wrote about it. This book tells the story of his remarkable life, career and writing.

The accepted narrative of the interwar U.S. Navy is one of transformation from a battle-centric force into a force that could fight on the “three planes” of war: in the skies, on the water, and under the waves. The political and cultural tumult that accompanied this transformation is another story. Ryan D. Wadle’s Selling Sea Power explores this little-known but critically important aspect of naval history. After World War I, the U.S. Navy faced numerous challenges: a call for naval arms limitation, the ascendancy of air power, and budgetary constraints exacerbated by the Great Depression. Selling Sea Power tells the story of how the navy met these challenges by engaging in protracted public relations campaigns at a time when the means and methods of reaching the American public were undergoing dramatic shifts. While printed media continued to thrive, the rapidly growing film and radio industries presented new means by which the navy could connect with politicians and the public. Deftly capturing the institutional nuances and the personalities in play, Wadle tracks the U.S. Navy’s at first awkward but ultimately successful manipulation of mass media. At the same time, he analyzes what the public could actually see of the service in the variety of media available to them, including visual examples from progressively more sophisticated—and effective—public relations campaigns. Integrating military policy and strategy with the history of American culture and politics, Selling Sea Power offers a unique look at the complex links between the evolution of the art and industry of persuasion and the growth of the modern U.S. Navy, as well as the connections between the workings of communications and public relations and the command of military and political power.

From Levi and Cohen, Irish Comedians (1903) to The Irishman (2019), this book is a fascinating journey through the history of representations of the Irish in American cinema.

Thaddeus Thatcher makes a blood pact with his best friends that they will all graduate college and go forth into the world, pursuing a life of glorious, swashbuckling adventure. Thaddeus sets out, determined to fulfill his vow, and discovers the wonders and beauty of new places and people. While on a romantic weekend sailboat getaway on an atoll off the coast of Tahiti, he runs into the celebrity Avior Aviideus. Avior likes Thaddeus's adventurous spirit and invites him to be in a Hollywood movie titled The Glean from the Silver Screen being shot in Australia. Thaddeus crews on a superyacht as passage to Australia and serendipitously bumps into the popstar Satellite Sacavage, who is also headed to star in the movie. However, what starts out as a Hollywood movie turns into a reality that none of them could have ever expected. The cast and crew find themselves discovering a truth that grows more powerful as they trek across all seven continents in pursuit of creating the movie that could change the world.

Covering a tumultuous period of the 1950s, this work explores the divorce of movie studios from their theater chains, the panic of the blacklist era, the explosive emergence of science fiction as the dominant genre, and the rise of television and Hollywood's response with widescreen spectacles.

Decades after his death, annual Gallop polls reveal that Marion Morrison is still firmly implanted among the top-ten favorite motion picture celebrities and American heroes. Most of us know this box office star as John Wayne. This comprehensive volume covers his expansive film career, from 1926 to 1976. Listed in alphabetical order are entries on films such as Angel and the Badman and Noah’s Ark that exemplify the more than 170 films that the actor worked on. Each entry includes the film’s date, run time, cast and crew credits, reviews, and a synopsis. Also under each entry is a special section devoted to rare information and interesting details such as where the productions were shot, budgets, costs, salaries, box-office performance, alternate casting and what competition existed for the moviegoer audience. Also included in this reference work are over 650 capsule biographies of the talent that shared the screen with the actor and worked on the productions, and over 800 contemporary reviews and commentary from such diverse sources as The New York Times, Hollywood Reporter, and Life Magazine. There is a series of five helpful Appendices: Appendix A lists films by order of their release dates; Appendix B lists Wayne’s fellow actors and colleagues and tells under which entry the relevant capsule biography may be located; Appendix C offers specific review information for the films; Appendix D provides facts on the biggest box office films; and Appendix E details the most popular films on television.