Winner of the Houshang Pourshariati Iranian Studies Book Award 2009This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship.An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam. The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household informs Sussan Babaie's study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin.Babaie argues that since the Safavid claim presumed the inheritance both of the charisma of the Shi'i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting. Talar-palaces, a new typology in Islamic palatial designs, and the urban-spatial articulation of access and proximity are the architectural anchors of this argument. Cast in the comparative light of urban spaces and palace complexes elsewhere and earlier-in the Timurid, Ottoman, and Mughal realms as well as in the early modern European capitals-Safavid Isfahan emerges as the epitome of a new architectural-urban paradigm in the early modern age.

I.B.Tauris in association with the Iran Heritage Foundation The decline and fall of Safavid Iran is traditionally seen as the natural outcome of the unrelieved political stagnation and moral degeneration which characterised late Safavid Iran. "Persia in Crisis" challenges this view. In this ground-breaking new book, Rudi Matthee revisits traditional sources and introduces new ones to take a fresh look at Safavid Iran in the century preceding the fall of Isfahan in 1722, which brought down the dynasty and ushered in a long period of turbulence in Iranian history. Inherently vulnerable because of the country's physical environment, its tribal makeup and a small economic base, the Safavid state was fatally weakened over the course of the seventeenth century. Matthee views Safavid Iran as a network of precarious alliances subject to perpetual negotiation and the society they ruled as an uneasy balance between conflicting forces. In the later seventeenth century this delicate balance shifted from cohesion to fragmentation. An increasingly detached, palace-bound shah; a weakening link between the capital and the outlying provinces; the regime's neglect of the military and its shortsighted monetary policies combined to exacerbate rather than redress existing problems, leaving the country with a ruler too feeble to hold factionalism and corruption in check and a military unable to defend its borders against outside attack by Ottomans and Afghans. The scene was set for the Crisis of 1722. This book makes a major contribution to our understanding of Iranian history and the period that led to two hundred years of decline and eclipse for Iran.

Pt. 1. Background. 1. Land, People, Empire. 2. Imperial Capital: When, Where, Why? 3. Cityscape -- Pt. 2. Politics. 4. Imperial Palace and Imperial Garden Retreats. 5. Great Amiri Mansions and Garden Retreats -- Pt. 3. Economy. 6. Bazaar. 7. Caravanserai -- Pt. 4. Religion. 8. Mosque. 9. Madrasa and Imamzada -- Themes and Findings -- App. Mahallas and Suburbs of Isfahan.

In the seventeenth century, the Persian city of Isfahan was a crossroads of international trade and diplomacy. Manuscript paintings produced within the city’s various cultural, religious, and ethnic groups reveal the vibrant artistic legacy of the Safavid Empire. Published to coincide with an exhibition at the Getty Museum, Book Arts of Isfahan offers a fascinating account of the ways in which the artists of Isfahan used their art to record the life around them and at the same time define their own identities within a complex society.

The Safavid dynasty, which reigned from the late fifteenth to the eighteenth century, links medieval with modern Iran. The Safavids witnessed wide-ranging developments in politics, warfare, science, philosophy, religion, art and architecture. But how did this dynasty manage to produce the longest lasting and most glorious of Iran's Islamic-period eras?Andrew Newman offers a complete re-evaluation of the Safavid place in history as they presided over these extraordinary developments and the wondrous flowering of Iranian culture. In the process, he dissects the Safavid story, from before the 1501 capture of Tabriz by Shah Ismail (1488-1524), the point at which Shiism became the realm's established faith; on to the sixteenth and early seventeenth century dominated by Shah Abbas (1587-1629), whose patronage of art and architecture from his capital of Isfahan embodied the Safavid spirit; and culminating with the reign of Sultan Husayn (reg. 1694-1722).Based on meticulous scholarship, Newman offers a valuable new interpretation of the rise of the Safavids and their eventual demise in the eighteenth century. "Safavid Iran," with its fresh insights and new research, is the definitive single volume work on the subject.