Lori Lansens became one of Canada’s most sought after writers more than a year before her internationally heralded first book, Rush Home Road, would see publication in April 2002. So immediately and passionately was her novel embraced that it was already front-page arts news back in April 2001. Knopf Canada was the first publisher to buy this extraordinary debut novel, but just before the 2001 London Book Fair, Little, Brown US bought the rest of the world rights for a major six-figure sum (for Rush Home Road and the author's yet-to-be-written second novel), and rights have now been sold in numerous countries. The Globe and Mail reported the record-breaking news with full, front-page coverage, and Little, Brown International Rights Director Linda Biagi found herself talking of nothing else in London; she sold Rush Home Road to a further 9 territories with the manuscript still unedited. Biagi likened the book to some of the most important literary achievements of our time, saying, “It’s as if John Irving had written The Color Purple.” Louise Dennys, the Executive Publisher of Knopf Canada, describes it as “a novel of startling beauty and great heart that will immediately find a place within that small, special tribe of books beloved by readers the world over.” The untold story of the descendants of the Underground Railroad Heartbreaking and wise, Rush Home Road tells the life story of Adelaide Shadd, who finds redemption in old age, and Sharla, a five-year-old mixed race girl abandoned to Addy’s care by her white mother. Born in the first decade of the 20th century in Rusholme (inspired by the real town of Buxton), in southwestern Ontario, an all-black community settled by fugitive slaves, Addy Shadd is raped as a teenager and forced to flee the family home. She makes her way on foot to Detroit, where she becomes the housekeeper for an elderly man and his grown son, both of whom develop a crush on her. When misfortune strikes again, she sets off to make a new life for herself in Canada. Thrown off the train at Keating, not far from her birthplace, she meets and eventually marries the train porter, the wonderful Mose, with whom she has a daughter. But when tragedy strikes, Addy is left alone. Now an old woman, she lives a quiet existence in a trailer park near Chatham. Her whole world changes when a young mother asks her to babysit her daughter, as it soon becomes clear that the mother is never coming back. Addy is glad of the company, but not sure if she’s up to the job of mothering this sweet, awkward five-year-old. Nor is she sure how much longer she’ll be around to do so. How she manages is part of the story of this brilliantly captivating novel. Written with verve, grace and unflinching emotional acuity, Rush Home Road is an epic story that explodes our notions of identity, justice, and heroism, penetrating one of our darkest periods with profound insight and humanity. Addy Shadd is a protagonist like no other -- full of quiet, steely bravery and tenderness of heart. This spellbinding novel will leave no reader untouched.

In the spirit of "White Oleander" and "The Color Purple" comes a heartbreaking and page-turning story about an 80-year-old woman who confronts and relives her life when a five-year-old girl is abandoned on her doorstep.

On the morning of Wolf Truly's eighteenth birthday, he boards the first cable car to head up the mountains just a few miles from his sun-bleached trailer home in the desert community outside of Palm Springs. Armed with nothing but the clothes on his back, Wolf's intention that morning was to give up on life specifically at the mountain site of his best friend's tragic accident one year ago. But on that shaky ride up the mountain, fate intervenes and Wolf meets three women that will leave an indelible imprint on the rest of his life. Through a series of missteps, the four wind up lost and stranded among the forested cliffs in sight of the desert city below, but unable to find a way down. As the days pass without rescue, we come to learn how each of them came to be on the mountain that morning. And as their situation shifts from misadventure to nightmare, the lost hikers forge an inextricable bond, pushing themselves, and each other, beyond their limits.

On the eve of their Silver Anniversary, Mary Gooch is waiting for her husband Jimmy -- still every inch the handsome star athlete he was in high school -- to come home. As night turns to day, it becomes frighteningly clear to Mary that he is gone. Through the years, disappointment and worry have brought Mary's life to a standstill, and she has let her universe shrink to the well-worn path from the bedroom to the refrigerator. But her husband's disappearance startles her out of her inertia, and she begins a desperate search. For the first time in her life, she boards a plane and flies across the country to find her lost husband. So used to hiding from the world, Mary finds that in the bright sun and broad vistas of California, she is forced to look up from the pavement. And what she finds fills her with inner strength she's never felt before. Through it all, Mary not only finds kindred spirits, but reunites with a more intimate stranger no longer sequestered by fear and habit: herself.

NATIONAL BESTSELLER This brilliant novel is an urgent bulletin from an all-too-believable near future in which the religious right has come out on top. And where a smart young girl who questions the new order is suddenly a terrorist. By the bestselling author of The Girls and The Mountain Story. Taking place over 48 hours in the year 2024, this is the story of Rory Anne Miller, on the run with her best friend because they are accused of bombing their posh Californian high school during an American Virtue Ball. There's a bounty on their heads, and a social media storm flying around them, not to mention a posse of law enforcement, attack helicopters and drones trying to track them down. Rory's mom, a social activist and lawyer, has been arrested and implicated in her daughter's "crimes" whereas her dad (who betrayed his wife and daughter in a nasty divorce) is cooperating with the authorities. The story exists in a universe of gated communities, born-again Christians, Probationary Citizens (once known as "Dreamers"), re-criminalized abortion and birth control, teenage virginity oaths and something called the Red Market, which is either a Conservative bogey-man created to further polarize the "base" or a criminal network making money from selling unwanted babies to whomever wants them and fetal tissue to cosmetics and drug companies. Rory is cynical and scared, furious and scathing, betrayed and looking for something or someone to trust. What she has to say about the dads and bosses and politicians lining up to keep women in their place, and about the ways women collaborate in their own undermining, is fierce, and funny, and sad, and true.

North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors, North America, is an intriguing frame for comparative American studies. Continental Divides is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases transformed, when Canada and Mexico enter the picture. How, for example, does the work of the iconic American writer Jack Kerouac read differently when his Franco-American origins and Mexican travels are taken into account? Or how would our conception of American modernism be altered if Mexico were positioned as a center of artistic and political activity? In this engaging analysis, Adams charts the lengthy and often unrecognized traditions of neighborly exchange, both hostile and amicable, that have left an imprint on North America’s varied cultures.

In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.