I wanted him. He wanted to ruin me. It was the blood I noticed first. Running down the neck of the man on the ferry. Then his bruised knuckles, dark eyes, and arrogant smirk. The handcuffs came last. No one else paid him attention, but I couldn't look away. Or deny my instant lust. I had no idea he was being imprisoned on the remote, dark Scottish island I knew well. Or that he'd been kidnapped, not arrested. I went from that naïve girl on the boat, dreaming of stolen kisses, to the one who held the key to his prison cell. When heat turns to hate, all that's left is ruin. -- Ruin (Dark Island Scots, #1) is a new adult romance with dark themes, including angst, lust-to-hate-to-love, and lost innocence. This series will be deeply interconnected, so expect the occasional wicked cliffhanger. It'll be well worth the heart palpitations. Lose yourself in Ruin.

I wanted him. He wanted to ruin me. It was the blood I noticed first. Running down the neck of the man on the ferry. Then his bruised knuckles, dark eyes, and arrogant smirk. The handcuffs came last. No one else paid him attention, but I couldn't look away. Or deny my instant lust. I had no idea he was being imprisoned on the remote, dark Scottish island I knew well. Or that he'd been kidnapped, not arrested. I went from that naïve girl on the boat, dreaming of stolen kisses, to the one who held the key to his prison cell. When heat turns to hate, all that's left is ruin. -- Ruin (Dark Island Scots, #1) is a new adult romance with dark themes, including angst, lust-to-hate-to-love, and lost innocence. This series will be deeply interconnected, so expect the occasional wicked cliffhanger. It'll be well worth the heart palpitations. Lose yourself in Ruin.

He was dangerous, but the real sin was mine. Sinclair was my secret obsession. The one I dreamed of in a homelife filled with violence and pain. It was Sin's darkness that saved me, wrapping its way around my heart until it beat only for him. I helped him escape his island prison. He asked me to leave with him. But my mother is pregnant, and I won't let another child be raised in that house of horrors. The only way to free her is to betray the man I want and the family he's creating. Love is impossible when my only option is to sin. -- Sin (Dark Island Scots, #2) continues the story started in Ruin (Dark Island Scots, #1). This is Sinclair and Lottie's romance, so expect exquisite and seductive scenes, darker themes, a plus-sized heroine and her much bigger hero, and an insidious mystery threatening our tribe of found family.

I wanted him. He wanted to ruin me. It was the blood I noticed first. Running down the neck of the man on the ferry. Then his bruised knuckles, dark eyes, and arrogant smirk. The handcuffs came last. No one else paid him attention, but I couldn't look away. Or deny my instant lust. I had no idea he was being imprisoned on the remote, dark Scottish island I knew well. Or that he'd been kidnapped, not arrested. I went from that naïve girl on the boat, dreaming of stolen kisses, to the one who held the key to his prison cell. When heat turns to hate, all that's left is ruin. -- Ruin (Dark Island Scots, #1) is a new adult romance with dark themes, including angst, lust-to-hate-to-love, and lost innocence. This series will be deeply interconnected, so expect the occasional wicked cliffhanger. It'll be well worth the heart palpitations. Lose yourself in Ruin.

"Sit tight, lass. I'll find ye." Ella I always pictured my brother's best friend to be impressive--after all, he's a military helicopter pilot whose job is to save people. Then he appears in front of me and my assumptions fly out of the window. Tattoos on muscles. Grey eyes and a sexy smirk. A Scottish accent to die for. And what's more? He's here to rescue me from my uncle's clutches. My poor sheltered heart stands no chance. Gordain At seventeen, there's no way this lass is right for me. She's my best friend's sister and five years younger than me. But she's gorgeous. Confident. A musician who plays a violin like it's a part of her. I've been shot down in a war zone but nothing makes my heart beat so fast as Ella. Then she gets the news that in order to inherit, she needs to be wed. How can I fake-marry someone I truly care about?

In his first work of nonfiction, bestselling novelist James Webb tells the epic story of the Scots-Irish, a people whose lives and worldview were dictated by resistance, conflict, and struggle, and who, in turn, profoundly influenced the social, political, and cultural landscape of America from its beginnings through the present day. More than 27 million Americans today can trace their lineage to the Scots, whose bloodline was stained by centuries of continuous warfare along the border between England and Scotland, and later in the bitter settlements of England’s Ulster Plantation in Northern Ireland. Between 250,000 and 400,000 Scots-Irish migrated to America in the eighteenth century, traveling in groups of families and bringing with them not only long experience as rebels and outcasts but also unparalleled skills as frontiersmen and guerrilla fighters. Their cultural identity reflected acute individualism, dislike of aristocracy and a military tradition, and, over time, the Scots-Irish defined the attitudes and values of the military, of working class America, and even of the peculiarly populist form of American democracy itself. Born Fighting is the first book to chronicle the full journey of this remarkable cultural group, and the profound, but unrecognized, role it has played in the shaping of America. Written with the storytelling verve that has earned his works such acclaim as “captivating . . . unforgettable” (the Wall Street Journal on Lost Soliders), Scots-Irishman James Webb, Vietnam combat veteran and former Naval Secretary, traces the history of his people, beginning nearly two thousand years ago at Hadrian’s Wall, when the nation of Scotland was formed north of the Wall through armed conflict in contrast to England’s formation to the south through commerce and trade. Webb recounts the Scots’ odyssey—their clashes with the English in Scotland and then in Ulster, their retreat from one war-ravaged land to another. Through engrossing chronicles of the challenges the Scots-Irish faced, Webb vividly portrays how they developed the qualities that helped settle the American frontier and define the American character. Born Fighting shows that the Scots-Irish were 40 percent of the Revolutionary War army; they included the pioneers Daniel Boone, Lewis and Clark, Davy Crockett, and Sam Houston; they were the writers Edgar Allan Poe and Mark Twain; and they have given America numerous great military leaders, including Stonewall Jackson, Ulysses S. Grant, Audie Murphy, and George S. Patton, as well as most of the soldiers of the Confederacy (only 5 percent of whom owned slaves, and who fought against what they viewed as an invading army). It illustrates how the Scots-Irish redefined American politics, creating the populist movement and giving the country a dozen presidents, including Andrew Jackson, Teddy Roosevelt, Woodrow Wilson, Ronald Reagan, and Bill Clinton. And it explores how the Scots-Irish culture of isolation, hard luck, stubbornness, and mistrust of the nation’s elite formed and still dominates blue-collar America, the military services, the Bible Belt, and country music. Both a distinguished work of cultural history and a human drama that speaks straight to the heart of contemporary America, Born Fighting reintroduces America to its most powerful, patriotic, and individualistic cultural group—one too often ignored or taken for granted.