Imogen and her sister Marin escape their cruel mother to attend a prestigious artists’ retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from “a remarkable young writer” (Neil Gaiman, American Gods). What would you sacrifice for everything you ever dreamed of? Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn’t imagine how a stepmother could be worse than her mother now. As adults, Imogen and her sister Marin are accepted to an elite post-grad arts program—Imogen as a writer and Marin as a dancer. Soon enough, though, they realize that there’s more to the school than meets the eye. Imogen might be living in the fairy tale she’s dreamed about as a child, but it’s one that will pit her against Marin if she decides to escape her past to find her heart’s desire.

From the acclaimed author of Roses and Rot—a “Brothers Grimm tale for the contemporary reader” (School Library Journal, starred review)—Kat Howard’s exquisite shorter works, nominated for the World Fantasy Award, and performed on WNYC’s Selected Shorts—called “brilliant” (Library Journal, starred review). Kat Howard has already been called a “remarkable writer” by Neil Gaiman and her “dark and enticing” (Publishers Weekly) debut novel, Roses and Rot, was beloved by critics and fans alike. Now, you can experience her collected shorter works, including two new stories, in A Cathedral of Myth and Bone. In these stories, equally as beguiling and spellbinding as her novels, Howard expands into the enchanted territory of myths and saints, as well as an Arthurian novella set upon a college campus, “Once, Future,” which retells the story of King Arthur—through the women’s eyes. Captivating and engrossing, and adorned in gorgeous prose, Kat Howard’s stories are a fresh and stylish take on fantasy. “Kat Howard seems to possess a magic of her own, of making characters come alive and scenery so vivid, you forget it exists only on the page” (Anton Bogomazov, Politics and Prose).

“A remarkable writer.” —Neil Gaiman, bestselling author of American Gods An Alex Award Winner There is a dark secret that is hiding at the heart of New York City and diminishing the city’s magicians’ power in this fantasy thriller by acclaimed author Kat Howard. In New York City, magic controls everything. But the power of magic is fading. No one knows what is happening, except for Sydney—a new, rare magician with incredible power that has been unmatched in decades, and she may be the only person who is able to stop the darkness that is weakening the magic. But Sydney doesn’t want to help the system, she wants to destroy it. Sydney comes from the House of Shadows, which controls the magic with the help of sacrifices from magicians.

From the award-winning writer-director of Personal Velocity comes a startling drama about the nature of family and the meaning of ideals In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only other companion is his 16-year-old daughter Rose (Camilla Belle), whom he has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her innocence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's sudden coming-of-age.

Imogen and her sister Marin escape their cruel mother to attend a prestigious artists’ retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from “a remarkable young writer” (Neil Gaiman, American Gods). Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn’t imagine how a stepmother could be worse than her mother now. As adults, Imogen and her sister Marin are accepted to an elite post-grad arts program—Imogen as a writer and Marin as a dancer. Soon enough, though, they realize that there’s more to the school than meets the eye. Imogen might be living in the fairy tale she’s dreamed about as a child, but it’s one that will pit her against Marin if she decides to escape her past to find her heart’s desire.