Footballers and film stars: recent work by Rose Wylie, painter of the deceptively simple Rose Wylie (born 1934) is the third artist to participate in an exhibition collaboration between the Royal Academy and the Gallery at Windsor, Vero Beach, Florida. This book accompanies her show and features an interview with the artist by Tim Marlow, Artistic Director of the Royal Academy, and an essay by the actor and art collector Russell Tovey. The exhibition comprises new paintings and drawings--wittily observed and subtly sophisticated meditations on the nature of visual representation itself. Using images as a prompt, Wylie often works from memory, and the associated works on a single subject offer an insight into her complex creative process. Wylie's work has been the subject of renewed critical attention in recent years, with major shows in Europe at venues including the Turner Contemporary, Margate (2016), Serpentine Sackler Gallery, London (2017), Tate Modern, London (2018) and the Centro de Arte Contemporáneo, Málaga (2018).

Celebrated British painter Rose Wylie—whose works are at once tactile, cerebral, and humorous—often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time. Wylie’s source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career. A new essay by art critic Michael Glover explores the remarkable painter whose work has “spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston.” Part of David Zwirner Books’s Spotlight Series, this book features Wylie’s newest paintings and drawings and is published on the occasion of the artist’s 2020 solo exhibition of these works at David Zwirner Hong Kong.

Rose Wylie (born 1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey--celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip, and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpacks the complexities of Wylie's visual language, providing an important contribution to our understanding and appreciation of a significant and increasingly celebrated figure in contemporary British art.

Fly away home Former Navy pilot Marlee Stein has only a few simple goals when she and her young daughter, Jo Beth, move home to Whitepine, Montana. Help her brother run Cloud Chasers, their family's charter air service, fly mercy missions for Angel Fleet, and be a good mother to Jo Beth, who's still dealing with the loss of her father. Meeting a man like park ranger Wylie Ames is not one of those goals. The feeling's mutual; he's not exactly thrilled with Marlee, either, even though his son, Dean, is beginning to love Jo Beth and her mother. Gradually a friendship forms between Wylie and Marlee…and then more. Surprisingly, wonderfully, more. Marlee becomes his friend and lover, but when the unexpected happens, she has to be his angel, too.