Can there be a flaneuse, and what form might she take? This is the central question of Streetwalking the Metropolis, an important contribution to ongoing debates on the city and modernity in which Deborah Parsons re-draws the gendered map of urban modernism. Assessing the cultural and literary history of the concept of the flaneur, the urban observer/writer traditionally gendered as masculine, the author advances critical space for the discussion of a female 'flaneuse', focused around a range of women writers from the 1880's to World War Two. Cutting across period boundaries, this wide-ranging study offers stimulating accounts of works by writers including Amy Levy, Dorothy Richardson, Virginia Woolf, Rosamund Lehmann, Jean Rhys, Janet Flanner, Djuna Barnes, Anais Nin, Elizabeth Bowen and Doris Lessing, highlighting women's changing relationship with the social and psychic spaces of the city, and drawing attention to the ways in which the perceptions and experiences of the street are translated into the dynamics of literary texts.

This book is dedicated to the notion that human lives are enriched by participation in a social community that is integrated into the natural landscape of a particular place. The writers explore the loss of community, the philosophical foundations of communities, Amish communities, and the current renewal of community life.

This third edition juxtaposes the very best publications on the city. It reflects the latest thinking on globalization, information technology and urban theory. It is a comprehensive mapping of the terrain of urban studies: old and new.

A dazzling eco-thriller set in a terrifying world with some chilling similarities to our own . . .17-year-old Banyan is a tree builder. Using salvaged scrap metal, he creates forests for rich patrons who seek a reprieve from the desolate landscape. Although Banyan's never seen a real tree--they were destroyed more than a century ago--his missing father used to tell him stories about the Old World. Everything changes when Banyan meets a mysterious woman with a strange tattoo, a map to the last living trees on earth, and he sets off across a wasteland from which few return. Those who make it past the pirates and poachers can't escape the locusts . . . the locusts that now feed on human flesh.But Banyan isn't the only one looking for the trees, and he's running out of time. Unsure of whom to trust, he's forced to make an alliance with Alpha, a beautiful, dangerous pirate with an agenda of her own. As they race towards a promised land that might only be a myth, Banyan makes shocking discoveries about his family, his past, and how far people will go to bring back the trees.

There is a gap in the literature for an investigation of the shared themes between Heidegger's thought and that of the ideologists of National Socialism. The author reads Heidegger's writings from 1933-45 in historical context, showing his engagement with the National Socialists.