The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.

The rood screen was the visual focus of the medieval parish church, dividing the nave from the chancel. Most were built of wood and were adorned with intricate carved decoration painted in bright colours, often with images of saints. Defaced and often dismantled during the Reformation in the mid-sixteenth century, most surviving screens have been restored to their former glory since the nineteenth century and are now among the most prized treasures of our parish churches. This fully illustrated book explains the symbolic and practical significance of rood screens and describes the ways in which they were constructed and decorated. There is also an extensive list of churches in England and Wales where screens can be found.

Fresh examinations of one of the most important church furnishings of the middle ages.

The art of East Anglia was pre-eminent during the late thirteenth and the first half of the fourteenth century. Wooden screens with painted panels were one of the most essential fittings of late pre-Reformation churches, serving both to protect the high altar and to define the division between the chancel and the nave and aisles. Whereas very few screens dating from the thirteenth and fourteenth centuries survive, the extant fifteenth-century rood-screen paintings in East Anglia form the largest body of late mediaeval painting to be found in England. Details of more than a thousand panels from over one hundred screens are listed, described and in many cases illustrated in this volume, accompanied by commentaries on their design, techniques and materials used in their making and who paid for them.

Impressive... for many readers of these papers their cumulative effect will be very great indeed... Admirable collaborative volume. JOURNAL OF ECCLESIASTICAL HISTORY Specialists explore the influence of twelfth-centuryDurham, in ecclesiastical affairs, Border politics, architecture, art, and religious and literary culture. Impressive... the cumulative effect [of these papers] is very great indeed. JOURNAL OF ECCLESIASTICAL HISTORY This study of Anglo-Norman Durham's history, architecture, art, and religious and literary culture covers much ground, including the Cathedral Priory and its relationship to monastic reform; the careers of the prince bishops; studies of the spectacular castle; the relationship between Durham and the Scottish kings; the architecture of the cathedral; and Durham manuscripts and texts, featuring historical compilations and the remarkable Old English poem De situ Dunelmi. Contributors: DONALD MATTHEW, JULIA BARROW, JANET BURTON, MERYL FOSTER, VICTORIA TUDOR, MICHAEL GULLICK, ALAN PIPER, DAVID BATES, MARK PHILPOTT, ERIC CAMBRIDGE, MALCOLM THURLBY, J. PHILIP McALEER, S.A. HARRISON, JOHN CROOK, THOMAS E. RUSSO, E.C. FERNIE, WILLIAM AIRD, J.O. PRESTWICH, G.W.S. BARROW, VALERIE WALL, PAUL DALTON, ALAN YOUNG, HENRY SUMMERSON, MARTIN ALLEN, P.D.A. HARVEY, MARTIN LEYLAND, M.W. THOMPSON, BERNARD MEEHAN, CHRISTOPHER NORTON, ANNE LAWRENCE, DOMINIC MARNER, DAVID HOWLETT

The first comprehensive survey of the religious, social and cultural life of late medieval and Reformation parishes covers town and country, northern as well as southern communities, and provides an indication of the European setting just before and just after the enormous social and religious changes of the 16th century. 15 illustrations.