A celebration of the art, architecture, and timeless human passion of the Eternal City, Rome Is Love Spelled Backward explores Rome's best-known treasures, often revealing secrets overlooked in conventional guidebooks. With the ancient play on "Roma" and "Amor"—ROMAMOR—Testa invites readers to experience the world's long love affair with one of its most beautiful cities.

A celebration of the art, architecture, and timeless human passion of the Eternal City, Rome Is Love Spelled Backward explores Rome's best-known treasures, often revealing secrets overlooked in conventional guidebooks. With the ancient play on "Roma" and "Amor"—ROMAMOR—Testa invites readers to experience the world's long love affair with one of its most beautiful cities.

Using Rome as a case study, this book examines how architecture and urbanism can be used to construct national identity.

Through Time and the City: Notes on Rome offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play host, and the social patterns its various structures help to organize. Through Time and the City argues that Rome is made and unmade by an endlessly evolving chorus that has, for better or worse, gained geological legitimacy; that the city absorbs and emits countless artifacts in its search for collective identity; that the city is a platform for the constant staging of negotiations between agents (humans, buildings, plants, animals, pathogens, goods, waste, water) that drive and are driven by the entanglements of climate and culture. This book provides textual and visual frameworks for identifying the material traces, emergent patterns, or speculated futures that expose a city as inseparable from its capacity to change.

This book reconsiders the question of Martin Luther's relationship with Rome in all its sixteenth-century manifestations: the early-modern city he visited as a young man, the ancient republic and empire whose language and literature he loved, the Holy Roman Empire of which he was a subject, and the sacred seat of the papacy. It will appeal to scholars as well as lay readers, especially those interested in Rome, the reception of the classics in the Reformation, Luther studies, and early-modern history. Springer's methodology is primarily literary-critical, and he analyzes a variety of texts--prose and poetry--throughout the book. Some of these speak for themselves, while Springer examines others more closely to tease out their possible meanings. The author also situates relevant texts within their appropriate contexts, as the topics in the book are interdisciplinary. While many of Luther's references to Rome are negative, especially in his later writings, Springer argues that his attitude to the city in general was more complicated than has often been supposed. If Rome had not once been so dear to Luther, it is unlikely that his later animosity would have been so intense. Springer shows that Luther continued to be deeply fascinated by Rome until the end of his life and contends that what is often thought of as his pure hatred of Rome is better analyzed as a kind of love-hate relationship with the venerable city.

It's 1948, and postwar Rome is giddy and chaotic. Poet Dante Sabat is attending yet another film industry soiree at Tullio Merlini's apartment off the Via del Corso. Disaffected and deeply self-absorbed, Dante finds Tullio's glamorous evenings ted...