In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians function successfully within oppressive circumstances.

Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.

Who are the Romani people? -- Romani society -- Customs and traditions -- The Romani language -- The Roms among the nations -- Between romanticism and racism -- A modern Romani identity -- Appendix: The mosaic of Romani groups.

Music in the American Diasporic Wedding explores the complex cultural adaptations, preservations, and fusions that occur in weddings between couples and families of diverse origins. Discussing weddings as a site of negotiations between generations, traditions, and religions, the essays gathered here argue that music is the mediating force between the young and the old, ritual and entertainment, and immigrant lore and assimilation. The contributors examine such colorful integrations as klezmer-tinged Mandarin tunes at a Jewish and Taiwanese American wedding, a wedding services industry in Chicago's South Asian community featuring a diversity of wedding music options, and Puerto Rican cultural activists dancing down the aisles of New York's St. Cecilia's church to the thunder of drums and maracas and rapping their marriage vows. These essays show us what wedding music and performance tell us about complex multiethnic diasporic identities and remind us that how we listen to and celebrate otherness defines who we are.

An accessible history of the Roma people in England told from the inside. The Romany people have been variously portrayed as exotic strangers or as crude, violent, delinquent “gypsies.” For the first time, this book describes the real history of the Romany in England from the inside. Drawing on new archival and first-hand research, Jeremy Harte vividly describes the itinerant life of the Romany as well as their artistic traditions, unique language, and flamboyant ceremonies. Travelers through Time tells the dramatic story of Romany life on the British margins from Tudor times through today, filled with vivid insights into the world of England’s large Romany population.

The lack of recognition of Romani gender politics in the wider Romani movement and the women’s movements is accompanied by a scarcity of academic literature on Romani women’s mobilization in wider social justice struggles and debates. The Romani Women’s Movement highlights the role that Romani women’s politics plays in shaping equality related discourses, policies, and movements in Central, Eastern and South-Eastern Europe. Presenting the diverse experiences and voices of Romani women activists, this volume reveals how they translate experiences of structural inequalities into political struggles by defining their own spaces of action; participating in formalized or less formal activist practices, and challenging the agendas and mechanisms of the established Romani and women’s movements. Moving discourses on and of Romani women from the periphery of scholarly exchanges to the mainstream, the volume invites scholars and activists from different disciplines and movements to critically reflect on their engagements with particular social justice agendas. It will appeal to students, researchers and practitioners interested in fields such as social movements, gender equality, and social and ethnic justice.

Romani is the first language, and family and community language, of upwards of 3-4 million people and possibly many more in Europe, the Americas, and Australia. Documentation and research on the language draws on a tradition of more than two centuries, yet it remains relatively unknown and often engulfed by myths. In recent decades there has been an upsurge of interest in the language including language maintenance and educational projects, the creation of digital resources, language policy initiatives, and a flourishing community of online users of the language. This Handbook presents state of the art research on Romani language and linguistics. Bringing together key established scholars in the field of linguistics and neighbouring disciplines, it introduces the reader to the structures of Romani and its dialect divisions, and to the history of research on the language. It then goes on to explore major external influences on the language through contact with other key languages, aspects of language acquisition, and interventions in support of the language through public policy provisions, activism, translation, religious and literary initiatives, and social media. This comprehensive and groundbreaking account of Romani will appeal to students and scholars from across language and linguistics.