This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary,and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.

This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean, and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judaea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment. The author then offers a comprehensive architectural analysis of each of the thirty theatres so far uncovered in the area. Richly illustrated, it provides a vivid reconstruction of a world which, though long gone, continues to fascinate.

This is the first collection of pictures of almost all the ancient theatres, odeons, bouleuterions, stadiums, and amphitheatres in existence. Sure to give enjoyment to the armchair traveler, this clothbound volume is also an essential reference for all those interested in ancient architecture. The purpose of this book is to tempt similar-minded others with a passionate bent toward Hellenistic and Roman theatres and amphitheatres (and temples, aqueducts, bridges, and triumphal arches) to drive the borders of the Mediterranean and revel in and marvel at these ancient glories. It was the pleasure of the drive through these beautiful and generally hospitable countries almost as much as the "discovery" of ruins that beguiled the author and his wife to compile the collection.

This book is an up-to-date and comprehensive account of Roman theatre architecture. It contains information, plans, and photographs of every theatre in the Roman Empire for which there is archaeological evidence, together with a full analysis of how Roman theatres were designed, built, and paid for, and how theatres differ in different parts of the Roman Empire. It is lavishly illustrated with plans, text figures, photographs, and maps.

Provides a general account of the Roman theater and its audience, and records some of the results of the author's experiments in constructing a full-scale replica stage based upon the wall paintings at Pompeii and Herculaneum, and producing Roman plays upon it.

Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.

The first and only monograph available on the subject, The Roman City and its Periphery offers a full and detailed treatment of the little-investigated aspect of Roman urbanism – the phenomenon of suburban development. Presenting archaeological and literary evidence alongside sixty-three plans of cities, building plans, and photographs, Penelope Goodman examines how and why Roman suburbs grew up outside Roman cities, what was distinctive about the nature of suburban development, and what contributions buildings and activities in the suburbs might make to the character and function of the city as a whole. With full bibliography and annotations throughout, this will not only provide a coherent treatment of an essential theme for students of Roman urbanism, but archaeologists, urban planners and geographers also, will have an excellent comparative tool in the study of modern urbanism.