A child reminds everyone to embrace their own special something in this joyful expression of self-love. When a drawing of a little girl comes to life, she boldly declares that she doesn't want to be erased, or put into a picture that doesn't feel like her true self. Instead, she decides to speak up in a powerful way. And she has some words of advice: embrace what you have, love yourself, and "rock what ya got." In this affirmation of self-identity and girl power, a child's memorable mantra offers a timeless lesson, reminding readers of all ages, backgrounds, and abilities that it's okay to be yourself. Bold illustrations from Kerascoët (Malala's Magic Pencil) bring the engaging story to life.

This is a comprehensive introduction to the inner workings of rock music. Everett takes readers through all aspects of the music and its lyrics, leading fans and listeners to new insights and new ways to develop their own interpretations of the aural landscapes of their lives.

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: · DISNEY MUSICALS: ON FILM · DISNEY ADAPTATIONS: ON STAGE AND BEYOND · DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.

The heartwarming coming-of-age tale of four high school outcasts who start a band to gain fame and popularity...but have to defend their hometown from a hungry horde of monsters instead. It’s 1989 and Marty Ward—Jackson, Tennessee’s number one juvenile delinquent—never wanted to join the Rock Gods. After all, who wants to play with nerds like Jonny, Lenny, and Doug? But after the high schoolers stumble into the gig of a lifetime—opening for local rock legend Tommi Tungstun—the four outcasts must put aside their differences and play together if they want to achieve their dreams of fame, freedom, and popularity. Standing in these future superstars’ way are: their parents, their teachers, a school full of jerks and bullies, a townful of bad bosses, sanctimonious preachers, and corrupt politicians, each other, and a rampaging horde of mutated monsters tearing through Jackson and eating everything in their path. Wait. Monsters?!?! Indeed! A secretive pharmaceutical company has converted the old perfume factory on the edge of town into an animal testing facility. Their newest concoction, a marvel of science designed as a cure, has disastrous results...transforming hundreds of pigs into horrifying demons with an appetite for human flesh. When the pigs attack, it’s left up Marty, Jonny, Lenny, and Doug to save the city and everyone in it. If they can’t figure out how to work together, they’ll be pig food. But, if they can join together as a band, as friends, as family…they’ll become Legends.

When rock ‘n’ roll began its ascendancy in the 1950s the older generation saw it as dangerous, renegade, threatening the moral stability of a nation. Young people saw it as freedom, and most importantly, as their music. The teenage revolution was here, This book, first published in 1982, traces the roots of this cultural transformation, its emergence in rock ‘n’ roll and other media, and shows just how violent the confrontation was by looking at contemporary newspaper reports.

#1 New York Times bestselling author Fern Michaels continues her long-running and acclaimed Sisterhood series, in which a group of very different women forge a bond to help them right wrongs—especially when the victims are other women. Rock Bottom brings together some of her readers’ favorite characters in an adventure-packed story that will satisfy every Fern fan. Isabelle “Izzy” Flanders and Yoko Akia are beginning a new project—an indoor/outdoor café that will be the cornerstone of a market village. Izzy knows just where to get the project off the ground: her old college classmate, Zoe Danfield, now vice president of a huge construction corporation. But the Zoe that Izzy reencounters doesn’t seem like her old, confident friend. This Zoe is tense and stressed, and Izzy eventually learns why. Buildings and bridges have been collapsing all over the world, causing hundreds of deaths, and Zoe suspects her firm’s inferior foundation materials are the cause. When she asks questions, she gets told to keep her nose out of what doesn’t concern her. Zoe knows someone has to blow the whistle and reveal the truth. Who better than the Sisterhood? But this adversary has money, power, and resources to match the Sisterhood’s—and no intention of giving up without a fight . . . Praise for Fern Michaels “Blends suspense, mystery and heartwarming charm.” —Woman’s World on Safe and Sound

Breaking News: Rock-God Jase West Quits the Music Biz! Jase West has it all. Millions of adoring fans, money, women, cars and the talent that affords him the extravagant lifestyle he enjoys. But in reality, his life has become nothing more than a non-stop hazy binge of coke-fuelled sets, bright lights and endless travel. At one time, creating the music was the most important thing. Somewhere along the way he's lost the heart for it and himself in the process. After fulfilling his contractual obligations, Jase quits the music business and goes back to school, re-emerging as Jason Westlake, history teacher. During Jason's first set of parent/teacher interviews, he meets burned once, twice shy Lainey Clarkson, the single mother of one of his students, and he's immediately drawn to her. The country music lovin' mama has no idea who Jase West is and Jason wants to keep it that way. But secrets always have a way of coming out and building a new relationship on them is nothing but a heartbreak song in the making.