Roberto Bolaño has attained an almost mythical stature and is often considered the most influential Latin American writer of his generation. The first English-language volume of essays on the Chilean author, Roberto Bolaño, a Less Distant Star: Critical Essays, includes ten critical essays of his oeuvre. With a special emphasis on his masterpieces: 2666, The Savage Detectives, By Night in Chile, and Distant Star, the essays address topics such as Borges's influence and the role of repetition, social memory, allegory, and neoliberalism.

The star in this hair-raising novel is Alberto Ruiz-Tagle, an Air Force pilot who exploits the 1973 coup in Chile to launch his own version of the New Chilean Poetry, a multimedia enterprise that symbolizes the darkness of Pinochet's regime.

El delirante y perturbador misterio de un impostor El narrador vio por primera vez a aquel hombre en 1971 o 1972, cuando Allende era aún Presidente de Chile. Escribía poemas distantes y cautelosos, seducía a las mujeres y despertaba en los hombres una indefinible desconfianza. Volvió a verlo después del golpe, pero en ese momento ignoraba que aquel aviador, que escribía versículos de la Biblia con el humo de un avión de la Segunda Guerra Mundial y el poeta, eran uno, y el mismo. Y así nos es contada la historia de un impostor, de un hombre de muchos nombres, sin otra moral que la estética, dandy del horror, asesino y fotógrafo del miedo, artista bárbaro que llevaba sus creaciones hasta sus últimas y letales consecuencias. Novela clave en la obra de Roberto Bolaño, Estrella Distante es, además de un apasionante thriller intelectual, una escalofriante investigación sobre la mentalidad fascista y sus efectos en la sensibilidad literaria. ENGLISH DESCRIPTION A chilling novel about the nightmare of a corrupt and brutal dictatorship. The star of Roberto Bolano's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions. For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime. The narrator, unable to stop himself, tries to track Ruiz-Tagle down, and sees signs of his activity over and over again. A corrosive, mocking humor sparkles within Bolano's darkest visions of Chile under Pinochet. In Bolano's world there's a big graveyard and there's a big graveyard laugh. (He once described his novel By Night in Chile as "a tale of terror, a situation comedy, and a combination pastoral-gothic novel.") Many Chilean authors have written about the "bloody events of the early Pinochet years, the abductions and murders," Richard Eder commented in the The New York Times: "None has done it in so dark and glittering a fashion as Roberto Bolano."

One of the remarkable qualities of Bolano's short stories is that they seem to tell what Bolano called "the secret story", "the one we'll never know". The Return contains thirteen unforgettable tales bent on returning to haunt you, most of them appearing in English for the first time here. Wide-ranging, suggestive, and daring, a Bolano story is just as likely to concern the unexpected fate of a beautiful ex-girlfriend, the history of a porn star or two embittered police detectives debating their favourite weapons: his plots go anywhere and everywhere and they always surprise. Consider the title piece: a young party animal collapses in a Parisian disco and dies on the dance floor; just as his soul is departing his body, it realizes strange doings are afoot - and what follows next defies the imagination (except Bolano's own, of course).

Begun in the 1980s and worked on until the author's death in 2003, The Woes of the True Policeman is Roberto Bolaño's last, unfinished novel. The novel follows Amalfitano—an exiled Chilean university professor and widower with a teenage daughter—as his political disillusionment and love of poetry lead to the scandal that will force him to flee from Barcelona and take him to Santa Teresa, Mexico. This border town is haunted by dark tales of murdered women and populated by characters such as Sorcha, who fought in the Andalusia Blue Division in the Spanish Civil War, and Castillo, who makes his living selling his forgeries of Larry Rivers paintings to wealthy Texans. It is here that Amalfitano meets Arcimboldi, a magician and writer whose work highlights the provisional and fragile nature of literature and life. Woes of the True Policeman is an exciting, kaleidoscopic novel, lyrical and intense, yet darkly humorous. Exploring the roots of memory and the limits of art, it marks the culmination of one of the great careers of world literature.

On vacation with his girlfriend, Ingeborg, the German war games champion Udo Berger returns to a small town on the Costa Brava where he spent the summers of his childhood. Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo's well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo's favorite World War II strategy game, and Udo discovers that the game's consequences may be all too real. Written in 1989 and found among Roberto Bolaño's papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In "Cowboy Graves," Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism. "French Comedy of Horrors" takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in "Fatherland," a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.