A powerful and persuasive new reading of Frost as a poet deeply engaged with both the literary and public politics of his day.

A powerful and persuasive new reading of Frost as a poet deeply engaged with both the literary and public politics of his day.

Robert Frost is one of the foremost writers of American poetry. This is a thorough compilation of his seminal works.

A provocative new study that identifies a deep structure -- that of the political body -- in Frost's poetry.

In this incisive and highly readable study, Rachel Buxton offers a much-needed assessment of Frost's significance for Northern Irish poetry of the past half-century. Drawing upon a diverse range of previously unpublished archival sources, including juvenilia, correspondence, and drafts of poems, Robert Frost and Northern Irish Poetry takes as its particular focus the triangular dynamic of Frost, Seamus Heaney, and Paul Muldoon. Buxton explores the differing strengths which eachIrish poet finds in Frost's work: while Heaney is drawn primarily to the Frost persona and to the "sound of sense", it is the studied slyness and wryness of the American's poetry, the complicating undertow, which Muldoon values. This appraisal of Frost in a non-American context not only enables a fullerappreciation of Heaney's and Muldoon's poetry but also provides valuable insight into the nature of trans-national and trans-generational poetic influence. Engaging with the politics of Irish-American literary connections, while providing a subtle analysis of the intertextual relationships between these three key twentieth-century poets, Robert Frost and Northern Irish Poetry is a pioneering work.

Robert Frost is by far the most celebrated major American poet of the twentieth century. In part, this is because his poetry seems, on the surface, to be so accessible, even homey. But Frost was not just a powerful writer of popular lyric and narrative verse, argues Peter J. Stanlis in this major contribution to American literary study and philosophy. Rather, his work is deeply rooted in a complex philosophical dualism that opposes both idealistic monism, centered in spirit, and scientific positivism, which posits that the universe can be understood as nothing but matter. InRobert Frost: The Poet as Philosopher,Stanlis shows how Frost’s philosophical dualism of spirit and matter is perceived through metaphors and applied to science, religion, art, education, and society. He further argues that Frost’s dualism provides a critique of the monistic forces that were instrumental in the triumph of twentieth-century totalitarianism. Thoroughly informed by his twenty-three year friendship and correspondence with Frost, Stanlis’s landmark volume is the first attempt to deal with the poet’s philosophy in a systematic manner. It will appeal not only to fans of Frost but to all who understand poetry as a form of revelation for understanding human nature.

The early works of beloved poet Robert Frost, collected in one volume. The poetry of Robert Frost is praised for its realistic depiction of rural life in New England during the early twentieth century, as well as for its examination of social and philosophical issues. Through the use of American idiom and free verse, Frost produced many enduring poems that remain popular with modern readers. A Collection of Poems by Robert Frost contains all the poems from his first four published collections: A Boy’s Will (1913), North of Boston (1914), Mountain Interval (1916), and New Hampshire (1923), including classics such as “The Road Not Taken,” “Fire and Ice,” and “Stopping by Woods on a Snowy Evening.”