Jacob Riis (1849-1914) was the author of How the Other Half Lives (1890). This study of his life and work includes excerpts from Riis’s diary, chronicling romance, poverty, temptation, and, after many false starts, employment as a writer and reformer. In the second half, Yochelson describes how Riis used photography to shock and influence his readers. The authors describe Riis’s intellectual education and discuss the influence of How the Other Half Lives on urban history. It shows that Riis argued for charity rather than social justice; but the fact that he understood what it was to be homeless did humanize Riis’s work, and that work has continued to inspire reformers. Yochelson focuses on how Riis came to obtain his now famous images, how they were manipulated for publication, and their influence on the young field of photography.

In 1996 Danish cycling legend Bjarne Riis won the Tour de France. Eleven years later he called a press conference and confessed to taking performance-enhancing drugs in order to achieve the ultimate cycling triumph. In Riis, his sensational autobiography - already an acclaimed bestseller in Denmark and Germany - the notoriously private Dane bares his soul. From the shy, young daydreamer who fell in love with cycling as an eight-year-old, to the hardened, regular user of banned blood booster EPO. While never shirking the seriousness of his actions Riis does attempt to explain the pressures and attitudes within cycling at the time that let him down a dark path that he now condemns. Brutally honest and as furiously fast-paced as one of his breakaways from the peleton, Riis is a powerful insight into the life and mind of one of the sport's key figures as well as a window into the world of professional road racing. There are not many people who have been involved in cycling to the extent that Riis has over the last 30 years and readers will be surprised by how open the normally taciturn Dane has been in his autobiography. If you liked Fignon's We Were Young and Carefree this book will certainly appeal to you.

This revealing biography of a pioneering photojournalist and social reformer Jacob Riis shows how he brought to light one of the worst social justice issues plaguing New York City in the late 1800s--the tenement housing crisis--using newly invented flash photography. Jacob Riis was familiar with poverty. He did his best to combat it in his hometown of Ribe, Denmark, and he experienced it when he immigrated to the United States in 1870. Jobs for immigrants were hard to get and keep, and Jacob often found himself penniless, sleeping on the streets or in filthy homeless shelters. When he became a journalist, Jacob couldn't stop seeing the poverty in the city around him. He began to photograph overcrowded tenement buildings and their impoverished residents, using newly developed flash powder to illuminate the constantly dark rooms to expose the unacceptable conditions. His photographs inspired the people of New York to take action. Gary Kelley's detailed illustrations perfectly accompany Alexis O'Neill's engaging text in this STEAM title for young readers.

A portrait of the late-nineteenth-century social reformer draws on previously unexamined diaries and letters to trace his immigration to America, work as a police reporter for the "New York Tribune," and pivotal contributions as a muckraker and progressive.

"Danish-born Jacob A. Riis (1849-1914) found success in America as a reporter for the New York Tribune, first documenting crime and later turning his eye to housing reform. As tenement living conditions became unbearable in the wake of massive immigration, Riis and his camera captured some of the earliest, most powerful images of American urban poverty"--Jacket.

In all of which I have made no account of a factor which is at the bottom of half our troubles with our immigrant population, so far as they are not of our own making: the loss of reckoning that follows uprooting; the cutting loose from all sense of responsibility, with the old standards gone, that makes the politician's job so profitable in our large cities, and that of the patriot and the housekeeper so wearisome. We all know the process. The immigrant has no patent on it. It afflicts the native, too, when he goes to a town where he is not known.