Old Testament texts frequently offer a theological view of history. This is very evident in the Books of Chronicles and in the final section of Ben Sira (Ecclesiasticus). Today there is renewed interest in both these works as significant theological and cultural Jewish documents from the centuries before Jesus. Both Chronicles and Ben Sira aim to recreate a national identity centered on temple piety. Some chapters in this volume consider the portrayal of Israelite kings like David, Hezekiah, and Josiah, while others deal with prophets like Samuel and Elijah.

Most of the papers collected in this volume were delivered at the conference held in June 2018, Mainz. They discuss recent developments in the analysis of history and historiography in ancient Israel and its surrounding cultures. The scholars compare the compositional and editorial approaches evident in biblical and post-biblical writings with those shown in other ancient literature, while concentrating on a specific theme. 0Professor Dr. Isaac Kalimi is the worldwide leading biblical scholar, historian and Judaist. He has published numerous books and articles in English, German, Hebrew and Polish.

What happens when I decide to rewrite Biblical history? Hilarity, that's what. Buy it now. And laugh.

Rewritten Bible After Fifty Years presents the papers of a conference on the meanings and usages of the term Rewritten Bible introduced by Geza Vermes in 1961. Leading scholars of the topic discuss their new insights and ideas comparing with Vermes' initiative, whose participation on this conference was unfortunately the last chance for a life dialogue with him on this topic. Apart from the terminological discussions and comparisions several case studies widen the scope of the notion of Rewritten Bible/Scripture and rewriting as a genre and technique.

In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.

Old Testament texts frequently offer a theological view of history. This is very evident in the Books of Chronicles and in the final section of Ben Sira (Ecclesiasticus). Today there is renewed interest in both these works as significant theological and cultural Jewish documents from the centuries before Jesus. Both Chronicles and Ben Sira aim to recreate a national identity centered on temple piety. Some chapters in this volume consider the portrayal of Israelite kings like David, Hezekiah, and Josiah, while others deal with prophets like Samuel and Elijah. Jeremy Corley, University of Durham, UK; Harm van Grol, Tilburg University, The Netherlands.

The Jefferson Bible, or The Life and Morals of Jesus of Nazareth as it is formally titled, was a book constructed by Thomas Jefferson in the latter years of his life by cutting and pasting numerous sections from various Bibles as extractions of the doctrine of Jesus. Jefferson's composition excluded sections of the New Testament containing supernatural aspects as well as perceived misinterpretations he believed had been added by the Four Evangelists. In 1895, the Smithsonian Institution under the leadership of librarian Cyrus Adler purchased the original Jefferson Bible from Jefferson's great-granddaughter Carolina Randolph for $400. A conservation effort commencing in 2009, in partnership with the museum's Political History department, allowed for a public unveiling in an exhibit open from November 11, 2011, through May 28, 2012, at the National Museum of American History.