Among the numerous introductions to Lacan published to date in English, Philippe Julien's work is certainly outstanding. Beyond its conceptual clarity the book constitutes an excellent guide to Lacanian psychoanalytic practice. --Andr Patsalides, Psychoanalyst and President, Lacanian School of Psychoanalysis From 1953 to 1980, Jacques Lacan sought to accomplish a return to Freud beyond post- Freudianism. He defined this return as a new convenant with the meaning to the Freudian discovery. Each year through his teaching, he brought about this return. What was at stake in this renewal? Philippe Julien, who joined Lacan's Ecole Freudienne de Paris in 1968, attempts to answer this question. Situtated in the period after-Lacan, Julien shows that Lacan's return to Freud was neither a closing of the Freudian text by responding to questions left unanswered nor a reopening of the text by giving endless new interpretations. Neither dogmatic nor hermeneutic, Lacan's return to Frued was the return of an inevitable discordance between our experience of the unconscious and any attempt to give an account of it. For the unconscious, by its very nature, disappears at the same moment as it is discovered. It is in this sense that the author can claim that Lacan's return to Freud will have been Freudian. Constantly challenging the reader to submit to the rigors of Lacan's sinuous thinking, this penetrating work goes far beyond being a mere introduction. Rendered into elegant English by the American translator, who added numerous footnotes and scholarly references to the French original, this study brings Lacanian scholarship among English readers to a new level of sophistication. Neither dogmatic nor hermeneutic, Lacan's return to Freud was the return of an inevitable discordance between our experience of the unconscious and any attempt to give an account of it. For the unconscious, by its very nature, disappears at the same moment as it is discovered. It is in this sense that the author can claim that Lacan's return to Freud was Freudian.

In this major work, leading theorist Samuel Weber provides a much-needed introduction to the thought of Jacques Lacan. Professor Weber approaches his subject from a dual perspective: he reads Lacan in the light of Freud (whose work Lacan is concerned to interpret), and from the perspective of structuralism, above all Saussure, from whom Lacan borrows and develops a distinctive conception of language as 'signifier'. Lacan is shown to contribute crucially to the rethinking of subjectivity that marks much of contemporary literary theory, and his 'return to Freud' - the complex relationship between his work and its Freudian antecedents - is explored extensively. The result, made available here for the first time in English (in a form thoroughly revised, updated, and augmented by the author) is a constantly illuminating work of intellectual enquiry, with important implications for our age.

Lacan and Levi-Strauss are often mentioned together in reviews of French structuralist thought, but what really links their distinct projects? In this important study, the author shows how Lacan's famous 'return to Freud' was only made possible through Lacan's reading of Levi-Strauss. Via a careful and illuminating comparison of the work of the psychoanalyst and that of the anthropologist, Zafiropoulos shows how Lacan's theories of the symbolic function, of the power of language, of the role of the father and even of the unconscious itself owe a major debt to Levi-Strauss. Lacan and Levi-Strauss is much more than an academic study of the relations between these two thinkers: it is also a superb introduction to the work of Lacan, setting out with detail and lucidity the major concepts of his work in the 1950s.

The immensely influential work of Jacques Lacan challenges readers both for the difficulty of its style and for the wide range of intellectual references that frame its innovations. Lacan’s work is challenging too, for the way it recentres psychoanalysis on one of the most controversial points of Freud’s theory – the concept of a self-destructive drive or ‘death instinct’. Originally published in 1991, Death and Desire presents in Lacanian terms a new integration of psychoanalytic theory in which the battery of key Freudian concepts – from the dynamics of the Oedipus complex to the topography of ego, id, and superego – are seen to intersect in Freud’s most far-reaching and speculative formulation of a drive toward death. Boothby argues that Lacan repositioned the theme of death in psychoanalysis in relation to Freud’s main concern – the nature and fate of desire. In doing so, Lacan rediscovered Freud’s essential insights in a manner so nuanced and penetrating that prevailing assessments of the death instinct may well have to be re-examined. Although the death instinct is usually regarded as the most obscure concept in Freud’s metapsychology, and Lacan to be the most perplexing psychoanalytic theorist, Richard Boothby’s straightforward style makes both accessible. He illustrates the coherence of Lacanian thought and shows how Lacan’s work comprises a ‘return to Freud’ along new and different angles of approach. Written with an eye to the conceptual structure of psychoanalytic theory, Death and Desire will appeal to psychoanalysts and philosophers alike.

In this collection of essays, Lacan's early work is first discussed systematically by focusing on his two earliest seminars: Freud's Papers on Technique and The Ego in Freud's Theory and in the Technique of Psychoanalysis. These essays, by some of the finest analysts and writers in the Lacanian psychoanalytic world in Paris today, carefully lay out the background and development of Lacan's thought. In Part I, Jacques-Alain Miller spells out the philosophical and psychiatric origins of Lacan's work in great detail. In Parts II, III, and IV, Colette Soler, Eric Laurent, and others explain in the clearest of fashions the highly influential conceptualization Lacan introduces with the terms "symbolic," "imaginary," and "real." Part V provides the first sustained account in English to date of Lacan's reformulation of psychoanalytic diagnostic categories--neurosis, perversion, psychosis, and their subcategories--their theoretical foundations, and clinical applications (ample case material is provided here.) Parts VI and VII of this collection take us well beyond Seminars I and II, relating Lacan's early work to his later views of the 1960s and 1970s. Slavoj Zizek explores the complex philosophical relations between Hegel and Lacan regarding the subject and the cause. And Lacan's article, "On Freud's 'Trieb' and the Psychoanalyst's Desire"--that appears here for the first time in English and is brilliantly unpacked by Jacques-Alain Miller in his "Commentary on Lacan's Text"--takes a giant step forward to 1965 where we see a crucial reversal in Lacan's perspective: desire is suddenly devalued, the defensive, inhibiting nature of desire coming to the fore. "What then becomes essential is the drive as an activity related to the lost object that produces jouissance."

Creating a snapshot of current thinking about psychoanalysis, this lively collection examines the legacy of Freud and Lacan. Through provocative and penetrating arguments, the contributors take psychoanalysis to task for 0ts dark view of human nature, theoretical sorcery, devaluation of femininity, self-referentiality, discipleship, negativity, ignorance of history and more. The essays also examine the complex relationships between Freudian and Lacanian theory and philosophy, feminism, anthropology, communications theory, deconstruction, Foucauldian genealogy and medical history. The outstanding list of contributors includes Paul Roazen, Francois Roustang, John Forrester, Rodolphe Gasche, Mikkel Borch-Jacobsen and Jacques Derrida.

Lacan’s Return to Antiquity is the first book devoted to the role of classical antiquity in Lacan’s work. Oliver Harris poses a question familiar from studies of Freud: what are Ancient Greece and Rome doing in a twentieth-century theory of psychology? In Lacan’s case, the issue has an additional edge, for he employs antiquity to demonstrate what is radically new about psychoanalysis. It is a tool with which to convey the revolutionary power of Freud’s ideas by digging down to the philosophical questions beneath them. It is through these questions that Lacan allies psychoanalysis with the pioneering intellectual developments of his time in anthropology, philosophy, art and literature. Harris begins by considering the role of Plato and Socrates in Lacan’s conflicted thoughts on teaching, writing and the process of becoming an intellectual icon. In doing so, he provides a way into considering the uniquely challenging nature of the Lacanian texts themselves, and the live performances behind them. Two central chapters explore when and why myth is drawn upon in psychoanalysis, its threat to the discipline’s scientific aspirations, and Lacan’s embrace of its expressive potential. The final chapters explore Lacan’s defence of tragedy and his return to Ovidian themes. These include the unwitting voyeurism of Actaeon, and the fate of Narcissus, a figure of tragic metamorphosis that Freud places at the heart of infantile development. Lacan’s Return to Antiquity brings to Lacan studies the close reading and cross-disciplinary research that has proved fruitful in understanding Freud’s invention of psychoanalysis. It will appeal to psychoanalysts and advanced students studying in the field, being of particular value to those interested in the roots of Lacanian concepts, the evolution of his thought, and the cultural context of his work. What emerges is a more nuanced, self-critical figure, a corrective to the reputation for dogmatism and obscurity that Lacan has attracted. In the process, new light is thrown on enduring controversies, from Lacan’s pronouncements on feminine sexuality to the opaque drama of the seminars themselves.