Offers a different perspective on Mao Zedong, the major architect of the Chinese Revolution and leader of the People's Republic of China until his death in 1976. Utilizing a number of documents written by Mao, here, the author 'rethinks' Mao by subjecting a number his controversial themes to fresh scrutiny.

The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.

This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.

Understanding Chinese politics has become more important than ever. Some argue that China's political system is 'institutionalized' or that 'win all/lose all' struggles are a thing of the past, but, Joseph Fewsmith argues, as in all Leninist systems, political power is difficult to pass on from one leader to the next. Indeed, each new leader must deploy whatever resources he has to gain control over critical positions and thus consolidate power. Fewsmith traces four decades of elite politics from Deng to Xi, showing how each leader has built power (or not). He shows how the structure of politics in China has set the stage for intense and sometimes violent intra-elite struggles, shaping a hierarchy in which one person tends to dominate, and, ironically, providing for periods of stability between intervals of contention.

“The best and the most accessible one-volume history of communism now available . . . A far-reaching, vividly written account.” —Foreign Affairs In The Red Flag, Oxford professor David Priestland tells the epic story of a movement that has taken root in dozens of countries across two hundred years, from its birth after the French Revolution to its ideological maturity in nineteenth-century Germany to its rise to dominance (and subsequent fall) in the twentieth century. Beginning with the first modern Communists in the age of Robespierre, Priestland examines the motives of thinkers and leaders including Marx, Engels, Lenin, Stalin, Castro, Che Guevara, Mao, Ho Chi Minh, Gorbachev, and many others. Priestland also shows how Communism, in all its varieties, appealed to different societies for different reasons, in some as a response to inequalities and in others more out of a desire to catch up with the West. But paradoxically, while destroying one web of inequality, Communist leaders were simultaneously weaving another. It was this dynamic, together with widespread economic failure and an escalating loss of faith in the system, that ultimately destroyed Soviet Communism itself. At a time when global capitalism is in crisis and powerful new political forces have arisen to confront Western democracy, The Red Flag is essential reading if we are to apply the lessons of the past to navigating the future. “Detailed and scholarly but written in lively prose, this is a rich, satisfying account of the most successful utopian political movement in history.” —Publishers Weekly, starred review

A comprehensive but accessible examination of how elite Chinese politics work covering the period from Deng Xiaoping to Xi Jinping.

In recent years historians and political observers have vilified Mao Tse-tung and placed him in a class with tyrants like Hitler and Stalin. But, as Lee Feigon points out in his startling revision of Mao, the Chinese leader has been tainted by the actions and policies of the same Soviet-style Communist bureaucrats he came to hate and attempted to eliminate. Mr. Feigon argues that the movements for which Mao is almost universally condemned today—the Great Leap Forward and especially the Cultural Revolution—were in many ways beneficial for the Chinese people. They forced China to break with its Stalinist past and paved the way for its great economic and political strides in recent years. While not glossing over Mao’s mistakes, some of which had heinous consequences, Mr. Feigon contends that Mao should be largely praised for many of his later efforts—such as the attacks he began to level in the late 1950s on those bureaucrats responsible for many of the problems that continue to plague China today. In reevaluating Mao’s contributions, this interpretive study reverses the recent curve of criticism, seeing Mao’s late-in-life contributions to the Chinese revolution more favorably while taking a more critical view of his earlier efforts. Whereas most studies praise the Mao of the 1930s and 1940s as an original and independent thinker, Mr. Feigon contends that during this period his ideas and actions were fairly ordinary—but that he depended much more on Stalin’s help than has been acknowledged. Mao: A Reinterpretation seeks a more informed perspective on one of the most important political leaders of the twentieth century.