This diverse collection of essays analyzes popular culture texts--including novel, films, and television shows--that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks.

Two days after the terrible attack against the World Trade Center on September 11, 2001, a union construction worker made a remarkable discovery within the ruins of World Trade Center 6. He saw a cross-like beam that stood on top of a heap of debris. He was stunned by its significance as were countless others after him. The purpose of this book is to trace the thirteen-year odyssey of this iconic cross from World Trade Center 6, to its position atop a concrete abutment within the World Trade Center during the recovery and rebuilding period, to the outside wall of St. Peter’s Roman Catholic Church across from Ground Zero and finally to the National 9/11 Memorial Museum where it remains today. The odyssey also includes a three-year legal battle whose appellate decision found that the Constitution of the United States does not preclude the presence of the Ground Zero cross within the National 9/11 Memorial Museum. This book is the author’s personal memoir. He is a Franciscan priest who, through many uncertain days, was the unofficial guardian of the Ground Zero cross. The concurrent themes of the book treat spirituality, grief sharing, selfless sacrifice, architecture, church history, biblical theology, and litigation. The book tells the story of many obstacles transcended on the way to the triumph of the Ground Zero cross.

As the horrific events of September 11, 2001, slip deeper into the past, the significance of 9/11 remains a global cultural touchstone. Initially, filmmakers, writers, and other artists wrangled with its meaning, often relying on fantastical, ethnic, or exceptionalist themes to address the psychic dread of the terrorist attacks. Over time, however, more nuanced and socio-historical perspectives about 9/11 and its impact on America and the world have emerged. In Representing 9/11: Trauma, Ideology, and Nationalism in Literature, Film, and Television, prominent authors from a variety of disciplines demonstrate how emergent American and international texts expand upon and complicate the initial post-9/11 canon. Editor Paul Petrovic has assembled a collection of essays that broadens our understanding of how popular culture has addressed 9/11, particularly as it has evolved over time. Contributors bring fresh readings to popular novels, such as Jonathan Lethem’s Chronic City and Jonathan Franzen’s Freedom; films like Zero Dark Thirty and This Is the End; and television shows such as 24 and Homeland. Showcasing a diverse range of viewpoints, essays in this collection assess, among other topics, how African American identity is challenged by post-9/11 allegories; how superhero films foretell the inevitability of city-wide destruction by terrorists; and how shows like Breaking Bad problematize ideas of liberalism and masculinity. Though primarily aimed at scholars, Representing 9/11 seeks to engage readers interested in how various forms of media have interpreted the events and aftermath of the terrorist attacks in 2001.

The 9/11 attacks brought large-scale violence into the 21st century with force and have come to epitomize the entanglement of intimate vulnerability and virtual spectacle that is typical of the globalized present. This book works at the intersection of trauma studies, affect theory, and literary studies to offer radically new interpretive frames for interrogating the challenges inherent in representing the initial moments of the terrorist encounter. Beyond the paradigm of traumatic unspeakability, post-9/11 texts expose the materiality of the human body in its universal vulnerability. The intersubjective empathy this engenders is politically subversive, as it undermines the discourse of historical singularity and exceptionalism by establishing a global network of reference and dialogue. Innovative theoretical interconnections between clinical pathology, concepts of cultural trauma, and political aesthetics lay the foundations for exploring formally and geographically diverse texts. Close readings of works by Jonathan Safran Foer, Art Spiegelman, Don DeLillo, and William Gibson map the relationship between representations of 9/11 and complex aspects of trauma theory. This detailed approach makes a case for revisiting trauma theory and bringing its Freudian origins into the digitized present. It showcases trauma as a physical and psychological wound as well as an experience that is simultaneously pre-discursive and inhibited by the virtuality of the present-day real. Exploring how contemporary trauma studies can take into account the digitization and virtuality of present-day realities, this book is a key intervention in establishing a contemporary ethics of witnessing terror.

The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.

The terrorist attacks of September 11, 2001, caused tremendous loss of life, property, and income, and the resulting response from public and private organizations was unprecedented. This monograph examines the benefits received by those who were killed or seriously injured on 9/11 and the benefits provided to individuals and businesses in New York City that suffered losses from the attack on the World Trade Center. The authors examine the performance of the compensation system--insurance, tort, government programs, and charity--in responding to the losses stemming from 9/11.

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