Stories of desert landscapes, cutting-edge production facilities, and lavish festivals often dominate narratives about film and digital media on the Arabian Peninsula. However, there is a more complicated history that reflects long-standing interconnections between the Persian Gulf, Arabian Sea, and Indian Ocean. Just as these waters are fluid spaces, so too is the flow of film and digital media between cultures in East Africa, Europe, North Africa, South Asia, Southwest Asia, and Southeast Asia. Reorienting the Middle East examines past and contemporary aspects of film and digital media in the Gulf that might not otherwise be apparent in dominant frameworks. Contributors consider oil companies that brought film exhibition to this area in the 1930s, the first Indian film produced on the Arabian Peninsula in the late 1970s, blackness in Iranian films, the role of Western funding in reshaping stories, Dubai's emergence in global film production, uses of online platforms for performance art, the development of film festivals and cinemas, and short films made by citizens and migrants that turn a lens on racism, sexism, national identity, and other rarely discussed social issues. Reorienting the Middle East offers new methods to analyze the often-neglected littoral spaces between nation-states and regions and to understand the role of film and digital media in shaping dialogue between area studies and film and media studies. Readers will find new pathways to rethink the limitations of dominant categories and frameworks in both fields.

Stories of cutting-edge production facilities, generous tax incentives, and lavish film festivals often dominate perceptions of film and digital media on the Arabian Peninsula, but there is a much longer and more complicated history that connects it with the Persian Gulf, Arabian Sea, and Indian Ocean. In Reorienting the Middle East, contributors consider oil companies that brought film to this area in the 1930s and '40s, the first Indian film produced on the Arabian Peninsula in the late 1970s, Blackness in Iranian films, the role of Western funding in reshaping stories, Dubai's emergence in global film production, uses of online platforms for performance art, the evolution of film festivals and cinemas, and short citizen-made films that critique racism and sexism perpetrated against migrants from Africa, South Asia, and Southeast Asia. Just as the Gulf is a fluid space where film and digital media reflect long-standing connections among the Middle East, South Asia, and Africa, Reorienting the Middle East offers a way to analyze the oft-forgotten spaces between regions and disciplines and challenges the definition of film in the Middle East.

It's time for new policies based on changing U.S. interests U.S. policy in the Middle East has had very few successes in recent years, so maybe it's time for a different approach. But is the new approach of the Trump administration—military disengagement coupled with unquestioning support for key allies--Israel, Egypt, and Saudi Arabia—the way forward? In this edited volume, noted experts on the region lay out a better long-term strategy for protecting U.S. interests in the Middle East. The authors articulate a vision that is both self-interested and carefully tailored to the unique dynamics of the increasingly divergent sub-regions in the Middle East, including North Africa, the Sunni Arab bloc of Egypt and Persian Gulf states, and the increasingly chaotic Levant. The book argues that the most effective way to pursue and protect U.S. interests is unlikely to involve the same alliance-centric approach that has been the basis of Washington's policy since the 1990s. Instead, the United States should adopt a nimbler and less military-dominant strategy that relies on a diversified set of partners and a determination to establish priorities for American interests and the use of resources, both financial and military. In essence, the book calls for a new post-Obama and post-Trump approach to the region that reflects the fact that U.S. interests are changing and likely will continue to change. The book offers a fresh perspective in advance of the 2020 presidential election.

Lust and her outstanding contributors have fully revised the text to take into account the watershed events that have taken place in the Middle East since the 2011 uprisings. The book also adds important coverage with a new thematic chapter on religion, society, and politics in the region, which examines the role of both Islam and Judaism. New to this edition: - Every chapter has been thoroughly revised to cover all of the major changes in the region since the uprisings of 2011 - The Overview section now contains a chapter on religion, society, and politics in the Middle East that examines the role of both Islam and Judaism - Expanded coverage of the role of social movements and activism in the chapter, Actors and Public Opinion. - Country chapters have been revised to more explicitly address religion, society and politics - In light of user feedback, the thematic chapters have been reordered to fit more naturally with teaching progression preferred by most faculty

Reorienting the East explores the Islamic world as it was encountered, envisioned, and elaborated by Jewish travelers from the Middle Ages to the early modern period. The first comprehensive investigation of Jewish travel writing from this era, this study engages with questions raised by postcolonial studies and contributes to the debate over the nature and history of Orientalism as defined by Edward Said. Examining two dozen Hebrew and Judeo-Arabic travel accounts from the mid-twelfth to the early sixteenth centuries, Martin Jacobs asks whether Jewish travelers shared Western perceptions of the Islamic world with their Christian counterparts. Most Jews who detailed their journeys during this period hailed from Christian lands and many sailed to the Eastern Mediterranean aboard Christian-owned vessels. Yet Jacobs finds that their descriptions of the Near East subvert or reorient a decidedly Christian vision of the region. The accounts from the crusader era, in particular, are often critical of the Christian church and present glowing portraits of Muslim-Jewish relations. By contrast, some of the later travelers discussed in the book express condescending attitudes toward Islam, Muslims, and Near Eastern Jews. Placing shifting perspectives on the Muslim world in their historical, social, and literary contexts, Jacobs interprets these texts as mirrors of changing Jewish self-perceptions. As he argues, the travel accounts echo the various ways in which premodern Jews negotiated their mingled identities, which were neither exclusively Western nor entirely Eastern.

A narrative history of Central Asia after the Greek dynasties and before IslamCentral Asia is commonly imagined as the marginal land on the periphery of Chinese and Middle Eastern civilisations. At best, it is understood as a series of disconnected areas that served as stop-overs along the Silk Road. However, in the mediaeval period, this region rose to prominence and importance as one of the centres of Persian-Islamic culture, from the Seljuks to the Mongols and Timur. Khodadad Rezakhani tells the back story of this rise to prominence, the story of the famed Kushans and mysterious aAsian Huns, and their role in shaping both the Sasanian Empire and the rest of the Middle East.Contextualises Persian history in relation to the history of Central Asia Extends the concept of late antiquity further east than is usually done Surveys the history of Iran and Central Asia between 200 and 800 bc and contextualises the rise of Islam in both regions "e;