Through the use of rare historic footage and photographs, and personal recollections of a dozen former internees and others, this documentary explores the experiences of more than 10,000 Japanese Americans who were relocated to a remote desert facility during World War II.

A true story of Japanese American experience during and after the World War internment.

“A compelling account of the lives of Japanese and Japanese Americans incarcerated during World War II . . . instructive and moving.”—Nippon.com From the editor of the award-winning Children of Manzanar, Heather C. Lindquist, and Edgar Award winner Naomi Hirahara comes a nuanced account of the “Resettlement”: the relatively unexamined period when ordinary people of Japanese ancestry, having been unjustly imprisoned during World War II, were finally released from custody. Given twenty-five dollars and a one-way bus ticket to make a new life, some ventured east to Denver and Chicago to start over, while others returned to Southern California only to face discrimination and an alarming scarcity of housing and jobs. Hirahara and Lindquist weave new and archival oral histories into an engaging narrative that illuminates the lives of former internees in the postwar era, both in struggle and unlikely triumph. Readers will appreciate the painstaking efforts that rebuilding required and will feel inspired by the activism that led to redress and restitution—and that built a community that even now speaks out against other racist agendas. “Through this thoughtful story, we see how the harsh realities of the incarceration experience follow real lives, and how Manzanar will sway generations to come. When you finish the last chapter you will demand to read more.”—Gary Mayeda, national president of the Japanese American Citizens League “An engaging, well-written telling of how former Manzanar detainees played key roles in remembering and righting the wrong of the World War II incarceration.”—Tom Ikeda, executive director of Densho

This intimate memoir offers a poignant, at times humorous account of Japanese American life in California before and after WWII. In 1942, fourteen-year-old Hank Umemoto gazed out a barrack window at Manzanar Internment Camp, saw the silhouette of Mount Whitney against an indigo sky, and vowed that one day he would climb to the top. Fifty-seven years and a lifetime of stories later, at the age of seventy-one, he reached the summit. As Umemoto wanders through the mountains of California’s Inland Empire, he recalls pieces of his childhood on a grape vineyard in the Sacramento Valley, his time at Manzanar, where beauty and hope were maintained despite the odds, and his later career as proprietor of a printing firm—sharing it all with grace, honesty, and unfailing humor.

Mine Okubo was one of 110,000 people of Japanese descent--nearly two-thirds of them American citizens -- who were rounded up into "protective custody" shortly after Pearl Harbor. Citizen 13660, her memoir of life in relocation centers in California and Utah, was first published in 1946, then reissued by University of Washington Press in 1983 with a new Preface by the author. With 197 pen-and-ink illustrations, and poignantly written text, the book has been a perennial bestseller, and is used in college and university courses across the country. "[Mine Okubo] took her months of life in the concentration camp and made it the material for this amusing, heart-breaking book. . . . The moral is never expressed, but the wry pictures and the scanty words make the reader laugh -- and if he is an American too -- blush." -- Pearl Buck Read more about Mine Okubo in the 2008 UW Press book, Mine Okubo: Following Her Own Road, edited by Greg Robinson and Elena Tajima Creef. http://www.washington.edu/uwpress/search/books/ROBMIN.html

When Amelia’s mom gives her a journal for her birthday, she finally has a place to share her truest feelings at last! Nine-year-old Amelia’s mother gives her a blank notebook to write down her thoughts and tells her it will make her feel better. Why would a dumb notebook make me feel better, Amelia thinks. The only thing that will make Amelia feel better is going back to old house, her old school, and her old friends. Amelia does not—do you hear this!—want to move. But no one is listening to Amelia.