Shyam Sunder’s education, in Mangalore and later in Madras, followed a course predestined for entry in to the forest service. In the Madras Presidency of the early 1950s, selection to a Class I government post was highly coveted, as well as restricted by numerous fences of exclusion. However, he succeeded due to several unusual events he narrates vividly in this memoir. One of his early forestry mentors cautioned, “Shyam Sunder, you’ll either go very far or will lose your way. I advise you to be careful.” As a researcher, forest administrator, and later as head of the forest department, he always chose to do what felt right. Inexplicably, that hastened success throughout his career. Except for a short period of two years, when he lost most of his hair thanks to a despondent boss, Shyam Sunder’s career was a ‘dream come true.’ With the affection of 10,000 staff, full support of the chief ministers he served under, and ample confidence of the government, Shyam Sunder made Karnataka a model state for forestry in India. He retired in 1989 as the Principal Chief Conservator of Forests. Shyam Sunder loved Jerome K. Jerome’s Three Men in a Boat (To say nothing of the dog), due to the similarity between the trip depicted in the book, up and down the Thames, and his own career. In both cases, life was interesting while not always smooth whether it was protecting forests in the Western Ghats from insatiable societal demands, working with ministers intent on getting their way, or striving to achieve conservation goals while being part of a labyrinthine bureaucracy. Under his leadership, partnering with a staff of ten thousand officials, the forest department of Karnataka became the envy of departments across the country. Shyam Sunder’s memoir is a series of vignettes, from numerous comedic to a tragic few. The life narrated is varied and never short of excitement – being ten yards from a charging tusker or a foot away from a King Cobra; defying orders of the chief minister; being hauled up for contempt of the high court, and discussing with Indira Gandhi the best way to eat avocados. Possessed of wit and passion, the narration lays bare the hubris of popular discourse on noble forest livelihoods, and unflinchingly narrates neglect of rural communities, as well as of forests, at times by the callous imposition of rules and regulations.

i="" This book provides a global perspective of Indian Sandalwood categorized as ‘Vulnerable’ by the International Union for Conservation of Nature. It deals with history, distribution, propagation, chemistry, utilization, improvement, trade, and conservation in the present context. This book explores ways and means for restoring its past glory by creating awareness for its conservation and sustainable utilization. The content encompasses informative tables, appropriate graphs and figures, and illustrations with photographs and line drawings. This compendium would be useful for foresters, forestry professionals, botanists, policymakers, conservationists, NGOs, and researchers in the academia and the industry sectors.

'Evolution is an exquisite artist, even if an unconscious one.'- Eric Dinerstein The leopard is perhaps one of the world's most beautiful creatures. The spots on its body are even romantically called 'rosettes'. It is social but solitary, inconspicuous but significant in numbers, large but elusive, and does not fit any of the pigeonholes of large-cat conservation. In India, the leopard is a poster boy of the fight to preserve wildlife, but in many countries, it faces either ecological or local extinction. A worrying phenomenon, given that these cats carry out important ecosystem services that have not been fully understood yet. In Leopard Diaries: The Rosette in India, Sanjay Gubbi, who has studied and documented the leopard for nearly a decade, gives us a close look at this fascinating creature. From detailing its food habits to throwing new light on how the young are reared, from offering suggestions on tackling leopard-human conflict to imagining the future of this arresting animal, this book is a 360-degree view of the leopard, its ecological context, its fraught relationship with the human world, and how wildlife and human beings can find a way to co-exist.

This volume examines The Rāmāyaṇa traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Rāmāyaṇa studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Rāmāyaṇa in changing socio-political, religious, and cultural contexts. The journey and localization of the Rāmāyaṇa is explored in its manifold expressions – from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Rāmāyaṇas from different parts of South India and Southeast Asia are placed in deliberate juxtaposition to enable a historically informed discussion of their connected pasts across land and seas. The three parts of this volume, organized as visual, literary, and performance cultures, discuss the sculpted, painted, inscribed, written, recited, and performed Rāmāyaṇas. A related emphasis is on the way boundaries of medium and genre have been crossed in the visual, literary, and performed representations of the Rāmāyaṇa. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

The story of the birth of India's states is the story of the birth and continuing rebirth of India, the nation. It is a story that everyone in India must know, from young to old. This rigorously researched book lays out the fascinating political and historical circumstances of the birth of India's states and union territories.