The impact of digital technology on the musical economy has been profound. From its production, reproduction, distribution, and consumption, the advent of MP3 and the use of the Internet as a medium of distribution has brought about a significant transformation in the way that music is made, how it is purchased and listened to, and, significantly, how the musical economy itself is able to reproduce itself. In the late 1990s the obscure practice of 'ripping' tracks from CDs through the use of compression programmes was transformed from the illegal hobby of a few thousand computer specialists to a practice available to millions of people worldwide through the development of peer-to-peer computer networks. This continues to have important implications for the viability of the musical economy. At the same time, the production of music has become more accessible and the role of key gatekeepers in the industry—such as record companies and recording studios— has been undermined, whilst the increased accessibility of music at reduced cost via the Internet has revalorised live performance, and now generates revenues higher than recorded music. The early 21st century has provided an extraordinary case study of an industry in flux, and one that throws light on the relationship between culture and economy, between passion and calculation. This book provides a theoretically grounded account of the implications of digital technology on the musical economy, and develops the concept of the musical network to understand the transformation of this economy over space and through time.

Publisher description

There is a dearth of good books on accounting in China, East Asia and Southeast Asia. This book makes a valuable contribution towards filling the gap. The chapters in Part I of the book deal with the cultural influence and economic significance of East and Southeast Asia, and the interrelationships between these matters and accounting in Pacific Asia. Part II comprises chapters on accounting in individual countries (comprising China, Japan, Korea, Taiwan and Southeast Asia), written by academics who work and research in these countries. In particular, the authors focus on the extent of the harmonisation of domestic standards with international accounting standards and on the development of the accounting profession. Part III deals with the problems of and prospects for accounting harmonisation in the region.

The Solar-B satellite was launched in the morning of 23 September 2006 (06:36 Japan time) by the Institute of Space and Astronautical Science, Japan Aerospace Exploration Agency (ISAS/JAXA), and was renamed to Hinode (‘sunrise’ in Japanese). Hinode carries three - struments; the X-ray telescope (XRT), the EUV imaging spectrometer (EIS), and the solar optical telescope (SOT). These instruments were developed by ISAS/JAXA in cooperation with the National Astronomical Observatory of Japan as domestic partner, and NASA and the Science and Technology Facilities Council (UK) as international partners. ESA and N- wegian Space Center have been providing a downlink station. All the data taken with Hinode are open to everyone since May 2007. This volume combines the ?rst set of instrumental papers of the Hinode mission (the mission overview, EIS, XRT, and the database system) published in volume 243, Number 1 (June 2007), and the second set of papers (four papers on SOT and one paper on XRT) published in Volume 249, Number 2 (June 2008). Another SOT paper cited as Tarbell et al. (2008) in these papers will appear later in Solar Physics.