ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada."

Places are imagined, made, claimed, fought for and defended, and always in a state of becoming. This important book explores the historical and theoretical relationships among place, community, and public memory across differing chronologies and geographies within twentieth-century Canada. It is a collaborative work that shifts the focus from nation and empire to local places sitting at the intersection of public memory making and identity formation � main streets, city squares and village museums, internment camps, industrial wastelands, and the landscape itself. With a focus on the materiality of image, text, and artefact, the essays gathered here argue that every act of memory making is simultaneously an act of forgetting; every place memorialized is accompanied by places forgotten.

Material Cultures in Canada presents the vibrant and diverse field of material culture studies in Canadian literary, artistic, and political contexts today. The first of its kind, this collection features sixteen essays by leading scholars in Canada, each of whom examines a different object of study, including the beaver, geraniums, comics, water, a musical playlist, and the human body. The book’s three sections focus, in turn, on objects that are persistently material, on things whose materiality blends into the immaterial, and on the materials of spaces. Contributors highlight some of the most exciting new developments in the field, such as the emergence of “new materialism,” affect theory, globalization studies, and environmental criticism. Although the book has a Canadian centre, the majority of its contributors consider objects that cross borders or otherwise resist national affiliation. This collection will be valuable to readers within and outside of Canada who are interested in material culture studies and, in addition, will appeal to anyone interested in the central debates taking place in Canadian political and cultural life today, such as climate change, citizenship, shifts in urban and small-town life, and the persistence of imperialism.

The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.

The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.

These pieces of cloth and metal symbolize the daring, bravery, suffering and loss of men who flew in deadly aerial battles for democratic freedom. Eagles Recalled, Pilot and Aircrew Wings of Canada, Great Britain and The British Commonwealth 1913-1945 has already been hailed as the definitive work written on the subject. Designed in a comprehensive form, complete with issue dates, this publication of original and authentic insignia will appeal to curators, cataloguers, historians, collectors, as well as veterans. It contains more than 800 color, and black and white photographs and is supplemented with uniform illustrations. Much of the material contained in this publication has never been seen before by the general public. The author has also made new historical discoveries presented here for the very first time - he has accessed private collections, photographed rare museum acquisitions, and received support from historians in seven countries over a period of some ten years. This work brings to readers a detailed and comprehensive study of the brevets issued to aviators who fought with Great Britain in World Wars I and II. Warren Carroll has been a collector/ researcher for over thirty-five years and is a member of the Organization of Military Museums of Canada. He is considered one of the leading authorities on Canadian and British Commonwealth Air Force insignia.