Rebels at the Gate is the dramatic story of the first Union victories of the Civil War and the events that caused Virginians to divide their state. In a defiant act to sustain President Lincoln's war effort, Virginia Unionists created their own state government in 1861-destined to become the new state of West Virginia.

Rebels at the Gate is the dramatic story of the first Union victories of the Civil War and the events that caused Virginians to divide their state. In a defiant act to sustain President Lincoln's war effort, Virginia Unionists created their own state government in 1861-destined to become the new state of West Virginia.

In a spectacular feat of daring and magic, Elena and her army of outlaws and rebels have defeated the forces of evil and released the arcane secrets of the Blood Diary. But the Dark Lord has unleashed the Weirgates - black wells of perilous energy that are his greatest source of power. Now Elena and her companions must find and destroy the Gates, as windships carry the fight north to the frozen woodlands, south to the burning desert sands, and east to the blasted regions of dread Gul-gotha. Not all will return ... Look out for more information on this and other books on the Orbit website at www.orbitbooks.co.uk

The sizzling, un-put-downable sequel to the New York Times bestselling Rebel of the Sands, by Goodreads Choice Awards Best Debut Author of 2016 Alwyn Hamilton! Mere months ago, gunslinger Amani al'Hiza fled her dead-end hometown on the back of a mythical horse with the mysterious foreigner Jin, seeking only her own freedom. Now she's fighting to liberate the entire desert nation of Miraji from a bloodthirsty sultan who slew his own father to capture the throne. When Amani finds herself thrust into the epicenter of the regime—the Sultan's palace—she's determined to bring the tyrant down. Desperate to uncover the Sultan's secrets by spying on his court, she tries to forget that Jin disappeared just as she was getting closest to him, and that she's a prisoner of the enemy. But the longer she remains, the more she questions whether the Sultan is really the villain she's been told he is, and who’s the real traitor to her sun-bleached, magic-filled homeland. Forget everything you thought you knew about Miraji, about the rebellion, about djinni and Jin and the Blue-Eyed Bandit. In Traitor to the Throne, the only certainty is that everything will change. Rebel of the Sands was a New York Times bestseller, published in fifteen countries and the recipient of four starred reviews and multiple accolades, with film rights optioned by Willow Smith. And its sequel is even better.

Using firsthand accounts—journals, letters from British officers in the field, reports from colonial governors in the colonies—Michael Pearson has provided a contemporary report of the Revolution as the British witnessed it. Seen from this perspective, some of the major events of the war are given startling interpretations: For example, the British considered their defeat at Bunker Hill nothing more than a minor setback, especially in light of their capture of New York and Philadelphia. Only at the very end of the conflict did they realize that the Yankees had lost the battles but won the war. From the Boston Tea Party to that day in 1785 when the first U.S. ambassador presented his credentials to a grudging George III, here is the full account of "those damned rebels" who somehow managed to found a new nation.

As one of the few foundational texts to provide a critical overview of the aesthetics and politics of the leftist literary movement in China, The Gate of Darkness was previously published by the University of Washington Press in 1968 to great critical acclaim. Posthumously edited by the author's brother Professor C. T. Hsia, this book critiques the works of leftist Chinese writers including Lu Hs?n, Chiang Kuangtz'u, and the "Five Martyrs." As one of the few foundational texts to provide a critical overview of the aesthetics and politics of China's leftist literary movement, The Gate of Darkness examines the conflicting dilemmas between leftist authors' own ideals and the strict ideological frameworks imposed by the propaganda policies of the Chinese Communist Party in the early twentieth century. Numerous reviews appearing in the leading East Asian studies journals have acknowledged the historical importance of the book which has few comparisons. The cultural critic Leo Oufan Lee believes that this book gives one of the most significant scholarly analyses of Lu Xun's work towards the end of his life, revealing the "darkness" that pervaded his later works such as "Wild Grass." He calls Tsian Hsia "a creative and compassionate scholar" who has opened Lu Hs?n's inner "gate of darkness" to unveil "a fascinating world of demons and ghosts as dramatized in village operas and popular superstitions."