Emperor Frederick II, called "enlightened" by historians yet decried as a despot by contemporaries, unleashes a civil war that tears the Holy Land apart. The heir to an intimidating legacy, a woman artist, and a boy king are caught up in the game of emperors and popes. Set against the backdrop of the Sixth Crusade, Rebels against Tyranny takes you from the harems of Sicily to the Holy Sepulcher in Jerusalem, from the palaces of privilege to the dungeons of despair. This is a timeless tale of youthful audacity taking on tyranny―but sometimes courage is not enough....

"Rebels against Tyranny" is the first book in the "Rebels of Outremer" series that describes the struggle between the autocratic Holy Roman Emperor Frederick II Hohenstaufen and the barons of Jerusalem led by John d'Ibelin, the "Old" Lord of Beirut, in the thirteenth century. This conflict between Beirut and Frederick II causes a civil war in the very heart of Christendom, in the Holy Land. It is the tale of an autocratic emperor, a defiant baronage, and three young people caught up in the game of emperors and popes. Set against the backdrop of the Sixth Crusade, "Rebels against Tyranny" takes you from the harems of Sicily to the Holy Sepulcher in Jerusalem, from the palaces of privilege to the dungeons of despair. It is a timeless tale of youthful audacity taking on tyranny -- but sometimes courage is not enough...."Rebels against Tyranny" was named "Best Christian Historical Fiction 2019" by Readers Favorites and awarded Silver (2nd Place) for Historical Fiction by Feathered Quill Awards 2019. Kirkos Reviews noted: "The well-meaning but flawed Sir Balian is a great central figure-a bit like William Shakespeare's portrayal of the young Prince Hal ...."

Mei Lin, a woman warrior, and pigboy Wang Lee find love, intrigue, adventure, and danger as rebels seeking to overthrow the Chinese emperor during the 1850s amid the Taiping Rebellion.

The Tyranny of Heaven argues for a new way of reading the figure of Milton's God, contending that Milton rejects kings on earth and in heaven. Though Milton portrays God as a king in Paradise Lost, he does this neither to endorse kingship nor to recommend a monarchical model of deity. Instead, he recommends the Son, who in Paradise Regained rejects external rule as the model of politics and theology for Milton's fit audience though few. The portrait of God in Paradise Lost serves as a scathing critique of the English people and its slow but steady backsliding into the political habits of a nation long used to living under the yoke of kingship, a nation that maintained throughout its brief period of liberty the image of God as a heavenly king, and finally welcomed with open arms the return of a human king. Michael Bryson is a Visiting Assistant Professor of English at Northwestern University.

Iconoclasm – the alteration, destruction, or displacement of icons – is usually considered taboo or profane. But, on occasion, the act of destroying the sacred unintentionally bestows iconic status on the desecrated object. Iconoclasm examines the reciprocity between the building and the breaking of images, paying special attention to the constructive power of destructive acts. Although iconoclasm carries with it inherently religious connotations, this volume examines the shattering of images beyond the spiritual and the sacred. Presenting responses to renowned cultural anthropologist and theorist Michael Taussig, these essays centre on conceptual iconoclasm and explore the sacrality of objects and belief systems from historical, cultural, and disciplinary perspectives. From Milton and Nietzsche to Paul Newman and Banksy, through such diverse media and genres as photography, the popular romance novel, pornography, graffiti, cinema, advertising, and the dictionary, this book questions how icons and iconoclasms are represented, the language used to describe them, and the manner in which objects signify once they are shattered. An interdisciplinary, disconnected, and non-linear consideration of the historical and contemporary relationship between the sacred and the profane, Iconoclasm disrupts entrenched views about the revered or reviled idols present in most aspects of daily life. Contributors include T. Nikki Cesare Schotzko (Toronto), Christopher van Ginhoven Rey (Pomona College), Helen Hester (West London), Emily Hoffman (Arkansas Tech), Natalie B. Pendergast (Yukon College), Beth Saunders (Maryland), Adam Swann (Glasgow), Michael Taussig (Columbia), Angela Toscano (Iowa), Brendon Wocke (Perpignan).