"The first family-authorized photographic study of Natalie Wood, and the first book to examine her glamorous film career as well as her private, off-screen life as a wife and mother"--Front jacket flap.

The former Supreme Court justice shares stories about the history and evolution of the Supreme Court that traces the roles of key contributors while sharing the events behind important transformations.

Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)

"Toussaint's Clause: The Founding Fathers and the Haitian Revolution narrates the intricate history of one of America's early foreign policy balancing acts. Supporters of Toussaint's rebellion at first engineered a bold policy of intervention in favor of the rebels. But Southern slaveholders eyed the revolution with fear and eventually obtained a reversal of the policy - even while taking advantage of the rebellion to make the fateful Louisiana Purchase."--Jacket.

The English language is changing constantly. We invent new words and phrases, we mash up idioms, we mispronounce, misuse, misappropriate. Sue Butler has heard it all and is ready to defend and disagree with common usage. Veering from tolerance to outrage, she examines how the word sheila took a nose-dive after World War II, considers whether we should hunker or bunker down, and bemoans the emptiness of rhetoric. She shouts 'down with closure' as it leaps from the psychoanalyst's couch, explains why we've lost the plot on deceptively, untangles the manuka honey stoush, fathoms why the treatment of famous is infamous, and ponders whether you would, could or should ...Rebel without a Clause is a fascinatingly idiosyncratic romp through the world of words by lexicographer and former Macquarie Dictionary Editor, Sue Butler.

The Rebel is a guide that contains the lectures that were delivered by Osho between 01/06/87 to 25/02/87. In the Rebel, readers will come across questions from various seekers and answers from Osho. He speaks about overthrowing the past to forge a new future. The first lecture, delivered on 1 June, 1987 in the Chuang Tzu Auditorium, is titled the Rebel: The Very Essence of Religion. One of the questions in here is about the difference between a rebel and a revolutionary. In the second chapter, readers will be able to understand the relationship between enlightenment and language. The fourth chapter, the Rebel Is Utterly Innocent, lists the qualities of a rebel in Herald A New Dawn, Osho explains that a rebel does not belong to any existent category and instead is a new category by himself. to understand what justice means to a rebellious man, readers should focus on the ninth chapter. In the thirteenth chapter of the Rebel, a disciple asks Osho why he refers to the word 'rebel' in a positive sense, when it usually implies something negative. Readers who are wondering if rebels are born or made, will find their answers within the same chapter. The Rebel contains many more such questions and even more interesting answers. Those who are looking for answers to life's many questions can find this book to be informative, interesting and enlightening. The Rebel, published by HPB/FC in 2007, is available as a paperback.