* Examines the relationship between Haute Couture and Pret-a-porter collections* Conversations with dozens of renowned fashion photographers and designers including Colin MsDowell, Vivienne Westwood, and Jackie NickersonHaute couture often dazzles us with its precision, craftsmanship and the extravaganza inherent in it. Clothing items are made out of proportion; unique materials are used and everything is hand-finished. But, the Pr�t-�-porter collections of today comply with the classic principles of Haute Couture. The items shown on the catwalk should theoretically be wearable, but often in reality this is not entirely the case. Haute-�-Porter examines the relationship between Haute Couture and pr�t-�-porter collections and shows the evolution in their relationship over the past 25 years.Includes conversations with Angelo Flaccavento, Antonio Mancinelli, Alexander Fury, Colin McDowell, Farida Khelfa, Irene Silvagni, Natasha Fraser-Cavassoni, Nicole Phelps, Pierre Hardy, Robin Schuli�, Rick Owens, Stephen Jones, Thom Browne, Tim Blanks, Vivienne Westwood, Yohji Yamamoto, Zandra Rhodes, Viktor & Rolf and many more Photographs and artworks by Ali Mahdavi, Anthony Maule, Brian Griffin, Daniel Jackson, Erik Madigan Heck, Fabien Baron, Fran�ois Berthoud, Giampaolo Sgura, Jackie Nickerson, Kevin Tachman, Luigi & Iango, Michal Pudelka, Mikael Jansson, Miles Aldridge, Peter Lindbergh, Rene Habermacher, Txema Yeste, Sebastian Kim, Sheila Metzner and others.Text in English and Dutch.

St. Louis was founded as a fur-trading village in 1764. Located on the banks of the Mississippi River, it became a center of fur trading, cotton and wool distribution, footwear, and ultimately clothing production in the 19th century. Few today would believe that the junior dress market segment was born, developed, and flourished in St. Louis from the 1930s through the 1960s. Buyers for high-end New York retailers flocked to St. Louis twice a year to view and order dresses and footwear. But The River City was a leader in shoes and clothing long before it introduced the junior clothing trend. Ready To Wear is the story of the birth, growth, decline, and rebirth of two wearable industries in St. Louis, Missouri-footwear and garments, alike in their end products but drastically different in their production processes. It takes a unique look at footwear and clothing through factual narrative, seldom-told stories, and detailed vintage images. Take an in-depth look at Washington Avenue-nicknamed Shoe Street USA-located in the heart of downtown. The streets were once filled with bustling crowds of workers, carts, and wagons loaded with raw materials and finished products. The nonstop drone of stitching machines and automated production were heard on every street corner. At that time, St. Louis, the fourth largest city in the US, was a major hub in the footwear and clothing manufacturing industries. It's been said that the street literally buzzed and hummed with the activity of the two thriving industries. Today Washington Avenue has overcome a period of decline to become an urban, hip destination filled with repurposed buildings and amazing architectural details. It's a place alive with residences, nightlife, dining options, and businesses. Thanks to the tireless efforts of local preservationists, most area structures are listed on the National Register of Historic Places. Colorfully weaving historical narrative, personal connection, and local lore, Valerie Battle Kienzle name transports the reader to the Washington Avenue of yesteryear. You'll find a surprising fashion-industry hub right in the heart of the Midwest, and a lengthy and impressive history of renowned fashion innovators on every page.

A tween fashion designer’s blog garners A-list attention in this chic middle grade series. Over the summer, fashion-loving Zoey Webber gets the best news ever: Her middle school is getting rid of uniforms! There’s just one problem. Zoey has sketchbooks full of fashion designs, but nothing to wear! So with a little help from her best friends Kate and Priti, she learns to make her own clothes. She even begins to post her fashion design sketches online in a blog. That’s how the Sew Zoey blog begins, and soon it becomes much more. Zoey’s quirky style makes her a bit of a misfit at middle school, but her Sew Zoey blog quickly gains a dedicated following. Real fashion designers start to read it! Yet even as her blog takes off, Zoey still has to deal with homework, crushes, and P.E. class. And when the principal asks her to design a dress for the school’s fashion-show fund-raiser, Zoey can’t wait to start sewing! But what will happen when her two worlds collide?

Fashion deals with a world of illusion on the one hand and a hard-bitten, multifaceted and multi-billion pound industry on the other. This stimulating book clarifies how fashion operates on all its levels: the mystery of haute couture is explained, the complexities of ready to wear are simplified, and the power of mass production assessed and evaluated. Fashion terms, their use and meaning are explained in plain words and the complicated stages of design, manufacture and distribution are described in detail. Also included are sections on bespoke tailoring, wholesale menswear, dressmaking, millinery and accessories, the fashion calendar and short biographies on the most influential designers. Every follower of fashion, whether at college or in big business, will welcome the information presented in this book.

The story of urban growth, the politics of labour, and the relationships among the many immigrant groups who have come to work on the sewing machines of the women's garment industry over the last century. This book is of interest to a range of scholars, including those engaged in labour, immigrant, and women's history.

The basic concepts behind sizing systems currently used in the manufacture of ready-to-wear garments were originally developed in the 19th century. These systems are frequently based on outdated anthropometric data, they lack standard labelling, and they generally do not accommodate the wide variations of body sizes and proportions that exist in the population. However, major technological improvements have made new population data available worldwide, with the potential to affect the future of sizing in many ways. New developments in computer-aided design and sophisticated mathematical and statistical methods of categorizing different body shapes can also contribute to the development of more effective sizing systems. This important book provides a critical appreciation of the key technological and scientific developments in sizing and their application. The first chapter in the book discusses the history of sizing systems and how this has affected the mass production of ready-to-wear clothing. Chapters two and three review methods for constructing new and adapting existing sizing systems, and the standardisation of national and international sizing systems. Marketing and fit models are reviewed in chapter four whilst chapter five presents an analysis of the grading process used to create size sets. Chapters six and seven discuss fit and sizing strategies in relation to function, and the communication of sizing. Mass customization and a discussion of material properties and their affect on sizing are addressed in chapters eight and nine. Military sizing and the aesthetics of sizing are detailed in chapters ten and eleven. The final chapter reviews the impact on sizing of production systems and specifications. Written by an international team of contributors, this book is an essential reference to researchers, designers, students and manufacturers in the clothing and fashion industry. Provides a critical appreciation of key technological and scientific developments in sizing and their application Discusses how developments in sizing affect the mass production of ready to wear clothing Reviews methods of constructing new and adapting existing sizing systems