Challenging the human understanding of life and death, the zombie figure represents a fragmentation of personhood. From its earliest appearances in literature, the zombie characterized a human being that was no longer an indivisible whole, embodying the ontological debate over which elements of personhood are most uniquely human. Through its literary evolution, the zombie's missing element gradually approached a finer definition, as narratives moved beyond highlighting metaphysically opaque concepts like "soul" or "will." Studying over a century of American literary history, this book explores how zombies translate cultural concepts and definitions of personhood. Chapters detail how literary zombies have long presented narratives of American cultural self-examination.

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.

New to the Random House list is author Bill Doyle with a tale of monsters, magic, and mayhem. After Keats and Henry lose their bikes, they need money—fast. So the help-wanted ad at the supermarket seems ideal for them. All they have to do is weed Hallway House's garden, find some lightbulbs in the attic, sweep the garage . . . and battle a shark-headed zombie. But no one told them about the giant bookworms in the library, the toe-biting carpet in the halls, and the kitchen sinkhole!

Zombies have plagued humanity's nightmares for centuries, but fortunately, the scientific community has created this detailed and completely serious guide to the undead. Only Zombies of the World tackles this issue and many more, so you might want to read up before a zombie tackles you! Zombies menace humanity, yet we barely understand them. There are books that show you how to kill the undead, but this is the first field guide to explain the importance of zombies to us. Zombies of the World reveals the undead to be a valuable part of our ecosystem and the key to new discoveries in medicine and technology. Zombies of the World uses captivating illustrations to document how evolution has led to a wide variety of species. Few outside the scientific community even realize that creatures like the Egyptian Mummy (Mortifera mumia aegyptus) are actually zombies. Some species are even harmless to humans. The Dancing Zombie (Mortifera immortalis choreographicus) only seeks to thrill humans with elaborate dance routines. Discover how our history has been affected by the undead and what we can learn from “scientific” research. The answer might surprise you!

Rampaging, driven, killing machines. Soulless and dead. Infected and infectious. Zombies. The epidemic of the living dead is stronger than ever in today’s pop-culture, but long before exotic viruses, biological warfare, and sinister military experiments brought the dead back to life in our cinemas and on our television screens, there were the dark spells and incantations of the ancient Egyptians, the Sumerians, and the Babylonians. Blending the historical with the modern, the biographical with the literary, the plants and animals with bacteria and viruses, the mythological with the horrifying true tales, The Zombie Book: The Encyclopedia of the Living Dead is a comprehensive resource to understanding, combating, and avoiding zombies. More than 250 entries cover everything from hit television shows, books, and movies, including The Walking Dead, World War Z and Pride and Prejudice and Zombies, to zombies’ ignominious role in folklore and mythology, such as the Greek god Asclepius, ancient Voodoo religion, and the Native American Wendigo legend. The Zombie Book: The Encyclopedia of the Living Dead examines mad cow disease, the Spanish flu pandemic of 1918, the Centers for Disease Control preparing for the end of the world, and much, much more.

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.

Depictions of the zombie apocalypse continue to reshape our concept of the walking dead (and of ourselves). The undead mirror cultural fears--governmental control, lawlessness, even interpersonal relationships--exposing our weaknesses and demanding a response (or safeguard), even as we imagine ever more horrifying versions of post-apocalyptic life. This critical study traces a shift in narrative focus in portrayals of the zombie apocalypse, as the living move from surviving hypothetical destruction toward reintegration and learning to live with the undead.