Explores the intricately crafted rhetorical strategies used by al-Jahiz in his letters The 9th-century essayist, theologian and encyclopedist 'Amr b. Bahr al-Jahiz has long been acknowledged as a master of early Arabic prose writing. Many of his most engaging writings were clearly intended for a broad readership but were presented as letters to individuals. Despite the importance and quantity of these letters, surprisingly little academic notice has been paid to them. Now, Thomas Hefter takes a new approach in interpreting some of al-Jahiz's 'epistolary monographs'. By focusing on the varying ways in which he wrote to the addressee, Hefter shows how al-Jahiz shaped his conversations on the page in order to guide (or manipulate) his actual readers and encourage them to engage with his complex materials.

Edinburgh University Press will publish two self-contained guides to reading al-Jahiz that also shed light on his society and its writings. This first volume, 'In Praise of Books', is devoted to bibliomania and al-Jahiz's bibliophilia. Volume 2, In Censure of Books, explores Al-Jahiz's bibliophobia. Al-Jahiz was a bibliomaniac, theologian, and spokesman for the political and cultural elite, a writer who lived, counselled and wrote in Iraq during the first century of the 'Abbasid caliphate. He advised, argued and rubbed shoulders with the major power brokers and leading religious and intellectual figures of his day, and crossed swords in debate and argument with the architects of the Islamic religious, theological, philosophical and cultural canon. His many, tumultuous writings engage with these figures, their ideas, theories and policies. They give us an invaluable but much-neglected window onto the values and beliefs of this cosmopolitan elite.

This title looks at letters from one of the most unique minds of the Abbasid era, that cover sectarian and ethnic rivalries, ethical questions, intoxicating beverages and daily life.

A Treasury of Virtues is a collection by the Fatimid Shafi‘i judge al-Quda‘i (d. 454 H/1062 AD) of sayings, sermons, and teachings attributed to ‘Ali ibn Abi Talib (d. 40 H/661 AD). ‘Ali was the cousin and son-in-law of the Prophet Muhammad, the first Shia Imam and the fourth Sunni Caliph. An acknowledged master of Arabic eloquence and a sage of Islamic wisdom, Ali was renowned for his words, which were collected, quoted, and studied over the centuries, and extensively anthologized, excerpted, and interpreted. Of the many compilations of ‘Ali’s words, A Treasury of Virtues arguably possesses the broadest compass of genres, and the largest variety of themes. Included are aphorisms, proverbs, sermons, speeches, homilies, prayers, letters, dialogues and verse, all of which provide instruction on how to be a morally upstanding human being. The shorter compilation included here, One Hundred Proverbs, is attributed to the eminent writer al-Jahiz (d. 255 H/869 AD). This volume presents a new critical edition of the Arabic based on several original manuscripts, the first English translation of both these important collections, and an extended introduction.

Al-Jahiz, a Afro-Iraqi scholar of the 9th century, demonstrate that the original man (Black African) is to be honored for the many outstanding and unique attributes they posses over other races. A firsthand account of the achievements of the native African.

This book is a translation, accurate and readable, of one of the wittiest pieces of medieval Arabic prose — Abu ‘Uthman al-Jahiz’s Avarice and the Avaricious. In the opinion of most Arab literary critics, Abu ‘Uthman al-Jahiz is one of the finest writers of Arabic of all time, described as the "sultan of style" and the very symbol of literary ability. He was a native of the city of Basra in southern Iraq, then the commercial and intellectual centre of the recently established Abbasid caliphate and the crucible where Islamic culture crystallised and assumed its form. Jahiz is characterised by wit, satire, irony and a wide-ranging erudition pinned to sharp observation of character. His language is agile and vigorous, lucid and precise. It is formally literary but inspired by the rhythms of ordinary speech. Digression and anecdote are commonplace as he passes seamlessly from the serious to the entertaining (and back again) for the improvement and pleasure of his readers. Hypocrisy and pretension are his targets. Reason, good sense, and a wholly uncynical good humour — the very salt of mirth — are his weapons. These qualities can all be found in the present work; one of his best-known books and, as the title suggests, an expose of the vice of miserliness among his contemporaries.