This adorably illustrated picture book celebrates the love we have for books and the strength of friendship. Raymond is a brave, strong and hairy buffalo. Gilbert is a quiet, growing and not-at-all hairy boy. Raymond is the hero of Gilbert's favorite book, and Gilbert brings his favorite book everywhere. When an unfortunate incident separates the two, Raymond finds himself in a very unusual situation—outside of his book and loose in the local library! There's nothing for Raymond to do but wait for Gilbert to come find him. But as the days turn into months and months into years, Raymond has to be brave and make a new home in the library shelves and a new friend in the librarian, Nicole.

"A long time ago, Our People came from the Northern Woodlands to the Great Plains looking for food," Grandfather said. "They saw that the Buffalo lived in harmony with Mother Earth the same as Our People did." Through the Creator, the buffalo gave themselves as a gift for the sustenance and survival of the Plains Cree people. The largest land animal in North America once thundered across the Great Plains in numbers of 30 to 50 million. They provided shelter, food, clothing, tools, hunting gear, ceremonial objects and many other necessities for those who lived on the Plains. But by 1889, just over a thousand buffalo remained, and the lives of the Plains Cree people changed. The buffalo is honoured to this day, a reminder of life in harmony with nature as it was once lived. This is the story of how the buffalo came to share themselves so freely.

Shoot The Buffalo is Matt Briggs's American Book Award-winning novel about the slow undoing of a working class hippy family in the 1970s and '80s. Originally published by Clear Cut Press, it is available now in a Jank Edition.

Federman's story is woven of fragments, branching out over a lifetime. His narrative spirals into a temporal abyss as he rummages in old memories marked with cabbages, plump breasts and the Final Solution. Aunt Rachel's Fur is aswirl with the narrative innovations that distinguish Federman as a leading experimental surfictioneer."--BOOK JACKET.

This book examines how, beginning in the 1960s up to the present, a new type of fiction was created in America, but also in Europe and Latin America, in response to the cultural, social, and political turmoil of the time. The author has coined the term “Surfiction” for this New Fiction. Written in an informal, provocative style, by an internationally known practitioner, these essays examine the cultural, social, and political conditions that forced serious writers to reflect (often within the work itself) on the act of writing fiction in the modern world. The entire book can be read as a manifesto for the present and future of the new fiction. This book is the first in the SUNY series in Postmodern Culture, edited by Joseph Natoli.