A practical guide to help you create beautiful and expressive processional banners for use in the liturgy, Sunday by Sunday, throughout the seasons of the church's year. Also includes guidance on using banners in the celebrations of baptism, confirmation, first communion, marriage and ordination, as well as on other special occasions in the life of the congregation.

The second half of the nineteenth century witnessed a new phenomenon in public monuments and civic ornamentation. Whereas in former times public statuary had customarily been reserved for 'warriors and statesmen, kings and rulers of men', a new trend was emerging for towns to commemorate their own citizens. As the subjects immortalised in stone and bronze broadened beyond the traditional ruling classes to include radicals and reformers, it necessitated a corresponding widening of the language and understanding of public statuary. Contested Sites explores the role of these commemorations in radical public life in Britain. Despite recent advances in the understanding of the importance of symbols in public discourse, political monuments have received little attention from historians. This is to be regretted, for commemorations are statements of public identity and memory that have their politics; they are 'embedded in complex class, gender and power relations that determine what is remembered (or forgotten)'. Examining monuments, plaques and tombstones commemorating a variety of popular movements and reforming individuals, the contributions in Contested Sites reveal the relations that went into the making of public memory in modern Britain and its radical tradition.

Faith is a container that holds a match: a puzzle, a flame, a fight. How do we make sense of God through human relationship? How do the layers of experience and theology interleave? How do the persons of the Trinity appear in the formative altars of our lives? With vivid imagery and a compelling lyric voice, Triptych grapples with the complications of the faith of incarnation and how their dimensions shift as we grow. Probing the implications of trinity, the memoir unfolds in three sections. "Fathers" wrestles through faith in childhood, trying to make sense of the lines of love and duty and how fathers represent a Father God. "Sons" chronicles blistered experiences of young adulthood: trying to find love and cope with sexuality when being faithful means a flame burns both human and divine. "Holy Ghosts" continues the stitching and colliding of human and divine relationships by confronting marriage and the Spirit as intimate, intervening, and intrusive.

The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities – social, political, and often non-conformist – are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process – one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.