This Festschrift engages in the richness and variety of literatures and cultures of the Malay world, and goes beyond its shores to encounters between different cultures and traditions, and to the relationship between literary and other disciplines. Rainbows of Malay Literature and Beyond communicates the absorbing richness of inter-disciplinary study and knowledge.

“This collection of nature poems is resonant and appealing. They record lyrically the beauty of the landscape of USM campus that is just an emerald at the edge of the straits, with dense trees hundreds of years old, little enchanting slopes, and valleys adorned with plants, as well as clear, clean lakes and flowing waters. Most interestingly this is expressed through moods of the months and seasons of an equatorial climate. All the more so, when these poems are accompanied by sketches which are also captivating.” Priv.-Doz. Dr. Arndt Graf Department of the Languages and Cultures of Southeast Asia Asia-Africa-Institute University of Hamburg “Such magnificent poems that make one want to stay in this campus! Such a rich nature that can be nothing else than an invitation to study and to find the multitude of ideas.” Monique Lajoubert Centre National de la Recherche Scientifique, Paris “… translators … let the poets’ words bloom and sing. My good friends, Md. Salleh Yaapar and Lalita Sinha, have lent their exceptional talents to these poems. I am sure the beauty of their rendering will carry these poems beyond the shores of Penang and Malaysia.” Muhammad Haji Salleh

The “biennale culture” now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art. Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee. Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.

A complete survey of Indonesian contemporary art. Indonesian Eye presents the most exciting works by emerging Indonesian artists in the most exhaustive way and comprehensively discusses their distinguishing characteristics differentiated from other contemporary art in Asia and the Western world. As an illustrated study, the book features seventy five up and coming artists and five essays to explain vibrant and dynamic art scene in Indonesia as an undiscovered jewel of Asian contemporary arts. Four pages will be given to each artist to allow the audience to experience more diverse spectrum of young artists' works never introduced before outside Indonesia. Each artist's section will have a brief descriptive text on the artist and his/her work and detailed captions.