This issue of Radical History Review explores how activists, archivists, and scholars— in engaging grassroots and institutional LGBT archiving efforts and questions of digitization, systems of classification, migration and paperwork, criminal records, postcolonialism, performance, photography, museums, and historical methods—have radically opened up the notion of the queer archive. The essays work to identify, and then fracture, the assembly and systematization of archival knowledge regarding sexualities and gender.

Radical History Review presents innovative scholarship and commentary that looks critically at the past and its history from a non-sectarian left perspective. RHR scrutinises conventional history and seeks to broaden and advance the discussion of crucial issues such as the role of race, class and gender in history.

As the tenth anniversary of the September 11 attacks approaches, the contributors to this issue of Radical History Review discuss the meanings of 9/11 and critically investigate the ties between memorializing and mythologizing. They probe the contested understandings of the attacks in political rhetoric, policy explanations, cinema, literature, visual arts, photography, public spaces, museums, archives, and education. One article examines the relationship of changing accounts of 9/11 to the shifting directions of US foreign policy; another, to the FBI's war on terror at home. In an interview, the historian Andrew Bacevich links 9/11 to "perpetual warfare" and a crisis of civilian control over the military. Other contributors analyze the changing meanings of the memorial to the 9/11 attack on the Pentagon in Arlington National Cemetery and explore the role of victims' families in struggles over memorialization at the World Trade Center site. Other articles address oral histories of 9/11, efforts to retrieve digital artifacts of the events, and attempts to teach these events critically in the classroom. Several pieces look at visual representations related to the attacks (including the film Cloverfield) and literary depictions by such authors as John Updike, Don DeLillo, and Dan Brown. Finally, the issue presents two series of original works of arts that subversively reflect 9/11: images from the Index of the Disappeared project and cartoons from Life during Wartime. Jim O'Brien Writer and Editor, University of Massachusetts Boston Andor Skotnes Professor of History, the Sage Colleges, Troy and Albany, New York Contributors: Paul L. Atwood, Sonia Baelo-Allu�, Bob Batchelor, Stephen Brier, Joshua Brown, Mary Marshall Clark, Ann Cvetkovich, Chitra Ganesh, Miriam Ghani, Ivan Greenberg, Jeffrey R. Kerr-Ritchie, Jaclyn Kirouac-Fram, Linda Levitt, Micki McElya, Jeffrey Melnick, Jim O'Brien, Thomas Riegler, Amir Saeed, Matthew Schneider-Mayerson, Magid Shihade, Andor Skotnes, James Stone, Kent Worcester

Contributors to this special issue study the visual histories of sex by examining symbols, images, film, and other visual forms ranging from medieval religious icons to twenty-first-century selfies. They argue that engaging BIPOC, antiracist, queer, and feminist perspectives of the past is vital to understanding the complex historical relationships between sex and visual culture and how these relationships continue to shape sexual lives, bodies, myths, and desires. Essay topics include trans visual archives in Francoist Spain, a visual archive of British escort and nightclub hostess Ruth Ellis, pornography and queer pleasure in East Germany, swimsuit advertisements and "bikini blondes" in the age of the atom bomb, and teaching the history of sexuality with images. This issue also contains a roundtable on curating exhibitions devoted to sex and to queer and trans experience; conversations with historians, artists, and curators who study visual culture and the history of sexuality; and an exploration of the photographic archives of Carol Leigh, a.k.a. Scarlot Harlot. Contributors. Heike Bauer, Roland Betancourt, Alexis L. Boylan, Topher Campbell, João Florêncio, Kyle Frackman, Javier Fernández Galeano, Sarah Jones, Carol Leigh, Conor McGrady, Ben Miller, Derek Conrad Murray, Lynda Nead, Melina Pappademos, Ashkan Sepahvand, David Serlin, Meg Slater, Katie Sutton, Annette F. Timm, Jennifer Tucker, Jeanne Vaccaro, Sunny Xiang

Radical History Review presents innovative scholarship and commentary that looks critically at the past and its history from a non-sectarian left perspective.

Radical History Review presents innovative scholarship and commentary that looks critically at the past and its history from a non-sectarian left perspective. RHR scrutinises conventional history and seeks to broaden and advance the discussion of crucial issues such as the role of race, class and gender in history.