Between 1840 and 1870, a quarter of a million Americans crossed the continent to Oregon and California in what was considered one of the great migrations of modern times?Thousands of women arrived in the Northwest by way of the Oregon Trail. This migration or "leave-taking" would consume the longest time and widest distance for these nineteenth-century women to establish new homes for themselves and their loved ones." ? from the book This beautifully illustrated volume recounts the stories of the women who traveled the Oregon Trail. Includes their reasons for traveling west and the hardships that they encountered. Index and bibliography. Copyright © Libri GmbH. All rights reserved.

Presents quilts as documents of history that help us learn about the lives and experiences of the many women who traveled the Oregon Trail from 1840-1870. Features 56 quilts made before, during, and after the journey, shown in full color along with vintage photos of the makers and historical background. Includes multiple appendices, glossary, and extensive bibliography.

Examines the quilts and personal histories of Mormon pioneer women who crossed the U.S. in the 19th century.

The story of the American Quilt Trail, featuring the colorful patterns of quilt squares painted large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron takes us to twenty-five states as well as Canada to visit the people and places that have put this movement on America’s tourist and folk art map. Through dozens of interviews with barn quilt artists, committee members, and barn owners, Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred and twenty driving trails. With more than eighty full-color photographs, Parron documents here a movement that combines rural economic development with an American folk art phenomenon.

In the early seventies, some of us were shot like stars from our parents' homes. This was an act of nature, bigger than ourselves. In the austere beauty and natural reality of Hell's Canyon of Eastern Oregon, one hundred miles from pavement, Pam, unable to identify with her parent's world and looking for deeper pathways has a chance encounter with returning Vietnam warrior Skip Royes. Skip, looking for a bridge from survival back to connection, introduces Pam to the vanishing culture of the wandering shepherd and together they embark on a four–year sojourn into the wilderness. From the back of a horse, Pam leads her packstring of readers from overlook to water crossing, down trails two thousand years old, and from the vantages she chooses for us, we feel the edges of our own experiences. It is a memoir of falling in love with a place and a man and the price extracted for that love. Written with deep lyricism, Temperance Creek is a work of haunting beauty, fresh and irreverent and rooted in the grit and pleasure of daily life. This is Pam's story, but the courage and truth in the telling is part of our human experience. Seen through a slower more primary mirror, one not so crowded with objectivity, Pam's memoir, is a kind of home–coming, a family reunion for shooting stars.

Amanda Pig and her family and friends try to find different ways to beat the heat.