In Building Sex, architecture critic and curator Aaron Betsky looked at how traditional gender roles have influenced architecture. In Queer Space, he examines how same-sex desire is creating an entirely new architecture. Gay men and women are in the forefront of architectural innovation, reclaiming abandoned neighborhoods, redefining urban spaces, and creating liberating interiors out of hostile environments. Queer spaces have arisen out of the experiences of homosexuals in a straight culture. Often forced to hide their true nature, gay men and women have turned inward, playing with the norms of interior space and creating environments of stagecraft and celebration where they can define themselves with out fear. Their experiments point the way to an architecture that can free us all from the imprisoning structures and spaces of the modern city.

Featuring contributions from a range of significant voices in the field, this volume renews the conversation around what it means to speak of the 'queer' in the context of architecture, and offers a fresh take on the methodological and epistemological challenges this poses to the discipline of architectural theory. Architecture as a discipline, a profession and an applied practice is always subordinate to its own conceptual framework, which is one of orderliness. It refers to buildings, but also to infrastructures of thought and knowledge, to conventions and taxonomies, to structures of governance, hierarchies of power and systems of administration. How, then, can one look at queering architectural discourse when the very term 'queer', celebrated for its elusive nature, resists and attacks such order? Divided into four subsections, the essays in this anthology each pursue a distinct line of inquiry – methods, practices, spaces and pedagogies – in order to help particularize the proposed queering of architecture. They demonstrate the paradoxical nature of the endeavour from a diverse range of perspectives – from questions of mapping queer theory in architecture; to issues of queer architectural archives, or lack thereof; to non-Western challenges to the very term queer, and the queering of basic assumptions across affiliated disciplines. Queering Architecture not only provides a bold challenge to the normative methods employed in architectural discourse but also addresses how establishing 'queer' methodologies is a paradox in itself.

Featuring contributions from a range of significant voices in the field, this volume renews the conversation around what it means to speak of the 'queer' in the context of architecture, and offers a fresh take on the methodological and epistemological challenges this poses to the discipline of architectural theory. Architecture as a discipline, a profession and an applied practice is always subordinate to its own conceptual framework, which is one of orderliness. It refers to buildings, but also to infrastructures of thought and knowledge, to conventions and taxonomies, to structures of governance, hierarchies of power and systems of administration. How, then, can one look at queering architectural discourse when the very term 'queer', celebrated for its elusive nature, resists and attacks such order? Divided into four subsections, the essays in this anthology each pursue a distinct line of inquiry – methods, practices, spaces and pedagogies – in order to help particularize the proposed queering of architecture. They demonstrate the paradoxical nature of the endeavour from a diverse range of perspectives – from questions of mapping queer theory in architecture; to issues of queer architectural archives, or lack thereof; to non-Western challenges to the very term queer, and the queering of basic assumptions across affiliated disciplines. Queering Architecture not only provides a bold challenge to the normative methods employed in architectural discourse but also addresses how establishing 'queer' methodologies is a paradox in itself.

An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, Queer Spaces recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives. Featured spaces include: Black Lesbian and Gay Centre, London Category Is Books, Glasgow Christopher Street, New York Coppelia, Havana New Sazae, Tokyo ONE Institute for Homophile Studies, Los Angeles Pop-Up spaces, Dhaka Queer House Party, Online Santiago Apóstol Cathedral, Managua Trans Memory Archive, Buenos Aires Victorian Pride Centre, Melbourne

Buildings have always been an expression of human sexuality. In this book, architecture critic and curator Aaron Betsky takes a look at the man-made world and concludes that it is just that: made by men and not women. The structure of buildings and the layout of cities in the modern world have almost always been determined by men, and the abstract and alien order of grids and columns that has resulted imprisons us in a way of living based on repression and, in some cases, oppression. By contrast, it is women who create the interior spaces within these man-created environments. Comfortable, beautiful, seductive, and logical, these interiors act as areas of escape, self-definition, and sometimes even revelation. Drawing on a wide range of architectural examples, from African mud huts to modern apartment complexes, Betsky explores what effects this division of architectural labor has had on our sensibilities and, indeed, on how we relate to one another as men and women. He believes that although it has always been thus, we do not have to live within this dichotomy between the exterior and the interior, the made and the lived, the masculine and the feminine, forever. It is possible, says Betsky, to create "spaces of liberation, spaces in which we can re-construct our selves and our world".

Queering the Interior problematizes the familiar space of ‘home’. It deploys a queer lens to view domestic interiors and conventions and uncovers some of the complexities of homemaking for queer people.Each of the book’s six sections focuses on a different room or space inside the home. The journey starts with entryways, and continues through kitchens, living spaces, bedrooms, bathrooms, and finally, closets and studies. In each case up to three specialists bring their disciplinary expertise and queer perspectives to bear. The result is a fascinating collection of essays by scholars from literary studies, geography, sociology, anthropology, history and art history. The contributors use historical and sociological case studies; spatial, art and literary analyses; interviews; and experimental visual approaches to deliver fresh, detailed and grounded perspectives on the home and its queer dimensions. A highly creative approach to the analysis of domestic spaces, Queering the Interior makes an important contribution to the fields of gender studies, social and cultural history, cultural studies, design, architecture, anthropology, sociology, and cultural geography.

Considers the complications of race, religion, sexuality, and gender in Europeanizing from below