Can society operate without gender and even biological sex classifications? Queer Post-Gender Ethics argues that we could exist, formulate our relationships and be sexual in more androgynous ways. Outlining a political vision for how a post-gender sociality might be achieved, it presents queer social practices for a truly gender neutral world.

Lynne Huffer's ambitious inquiry redresses the rift between feminist and queer theory, traversing the space of a new, post-moral sexual ethics that includes pleasure, desire, connection, and betrayal. She begins by balancing queer theorists' politics of sexual freedoms with a moralizing feminist politics that views sexuality as harm. Drawing on the best insights from both traditions, she builds an ethics centered on eros, following Michel Foucault's ethics as a practice of freedom and Luce Irigaray's lyrical articulation of an ethics of sexual difference. Through this theoretical lens, Huffer examines everyday experiences of ethical connection and failure connected to sex, including queer sexual practices, sodomy laws, interracial love, pornography, and work-life balance. Her approach complicates sexual identities while challenging the epistemological foundations of subjectivity. She rethinks ethics "beyond good and evil" without underestimating, as some queer theorists have done, the persistence of what Foucault calls the "catastrophe" of morality. Elaborating a thinking-feeling ethics of the other, Huffer encourages contemporary intellectuals to reshape sexual morality from within, defining an ethical space that is both poetically suggestive and politically relevant, both conceptually daring and grounded in common sexual experience.

In The Ethics of Opting Out, Mari Ruti provides an accessible yet theoretically rigorous account of the ideological divisions that have animated queer theory during the last decade, paying particular attention to the field's rejection of dominant neoliberal narratives of success, cheerfulness, and self-actualization. More specifically, she focuses on queer negativity in the work of Lee Edelman, Jack Halberstam, and Lynne Huffer, and on the rhetoric of bad feelings found in the work of Sara Ahmed, Lauren Berlant, David Eng, Heather Love, and José Muñoz. Ruti highlights the ways in which queer theory's desire to opt out of normative society rewrites ethical theory and practice in genuinely innovative ways at the same time as she resists turning antinormativity into a new norm. This wide-ranging and thoughtful book maps the parameters of contemporary queer theory in order to rethink the foundational assumptions of the field.

Following debates surrounding the anti-social turn in queer theory in recent years, there has been a renewed interest in the role of activism, the limits of the political, and the question of normativity and ethics. Queer Futures engages with these concerns, exploring issues of complicity and agency with a central focus on the material and economic as well as philosophical dimensions of sexual politics. Presenting some of the latest research in queer theory, this book draws together diverse perspectives to shed light on possible ’queer futures’ when different affective, temporal, and local contexts are brought into play. As such, it will appeal to scholars of cultural, political, literary, and social theory, as well as those with interests in gender and sexuality, activism, and queer theory.

"Queer Postcolonial Narratives and the Ethics of Witnessing is a critically engaged exploration of power and its relation to ethics and bodies. By revisiting and revising Judith Butler's and Homi Bhabha's queer and postcolonial theories of literary performance, McCormack expands current understandings of the performative workings of power through an embodied, multisensory ethics. That remembering is an embodied act which necessitates an undoing of one's sense of self captures how colonial and familial histories silenced by hegemonic structures may only emerge through opaque bodily sensations. These non-institutionalised forms of witnessing serve both to reconfigure theories of performativity, by re-situating the act of witnessing as integral to the workings of power, and to interrogate the current emphasis on speech in trauma studies, by analysing the multifarious, communal and public ways in which memories emerge. In Queer Postcolonial Narratives and the Ethics of Witnessing the body is reinstated as central to both the workings of and the challenges to colonial discourses"--

Sexual Deceit is an extended ethical analysis of the phenomenon of sexual identity passing — i.e. socially presenting as X, when one understands oneself as Y, where the variables represent any contemporary sexual identity — alongside identity passing in the contexts of race, gender, and briefly, religion and class. The analysis of passing utilizes and challenges traditional moral understandings of identity falsification, complicating our understandings of moral obligations under systemic oppression. Tracing the intervention of social construction theory on contemporary political understandings of LGBT communities and activism, Sexual Deceit argues against social construction models of identity — notably performativity, promulgated by the work of Judith Butler and consumed and repeated by many scholars and theory educated queer people. A new model of identity is constructed, based on a phenomenological concept of style that provides for a socially adjustable yet rooted notion of sexual identity. The ethical implications of sexual identity passing are considered in the context of eschatological images of social justice and within practical matters such as military service, leadership, and sexual harassment law.

Judith Butler and conservative Christian theology are often perceived to be antithetical on questions of gender. In Reforming a Theology of Gender they are shown to be strange bedfellows. By engaging in dialogue with Butler on her terms—desire, violence, and life—this book absorbs the heart of Butler’s critique, revealing a righteous law and a seductive image in conservative theologies of gender. The law of Adam and Eve manifests in the unjust administration of guilt, grief, and death. By confronting this law, which in fact condemns all in their bodies, further reflection on Butler’s thought leads to thinking about where one finds life in one’s body of death. The seductive image of Adam and Eve is revealed to be a false hope and a site that induces slave morality or body-works-based righteousness. Butler’s voice is strangely prophetic because it calls the church to offer hope and life by reorienting its gaze from the beautiful yet lifeless bodies of Adam and Eve to the bloodied and scarred, risen body of Jesus Christ. Gender, in the end, is shown to be a vocation of becoming what one is not.