Practical help for church drama directors is only one of the features of this book. The text also includes: directing procedures, advice on building a drama team, actor training tips, script writing, and more, as well as a CD-ROM of staging examples.

A handbook for starting and growing a church drama ministry. Includes two sample plays.

Teaches both why and how to build theatrical productions that are both high quality entertainment and truly impactful ministry. Whether you are an artist, pastor, missionary, producer, church staff member, or a program director this text will offer insight into effectively presenting the gospel and other faith principles to diverse audiences.

Teaches both why and how to build theatrical productions that are both high quality entertainment and truly impactful ministry. Whether you are an artist, pastor, missionary, producer, church staff member, or a program director this text will offer insight into effectively presenting the gospel and other faith principles to diverse audiences.

SCRIPTURE BROUGHT TO LIFE Can drama play a starring role in revitalizing the church and helping people to see the relevance of Scripture to their lives in the twenty-first century? Dr. Wanda Vassallo shouts a resounding "yes!" Her firm response is based on many years of directing drama in the church and is backed by her scientifically-conducted research on the subject. This book explores God's origin of dramatic approaches in communicating with humans. This is followed by examples of the way the prophets and Jesus continued this method during His earthly ministry and the dramatic approaches used in Jewish and Christian worship through the centuries. Also covered are the beginning of world drama and the importance of avoiding the mistakes that were made when drama began to be used in the church. Careful description is given of 11 genres of drama-everything from the full-length production to a "dramatic moment." She explains how to work each one seamlessly into a church service or related venue, such as a seminar. A sample script of each genre is provided. Examples of the impact of drama on members of the congregation and on the lives of those who participate in the productions are cited. The last chapter is devoted to the results of Wanda's dissertation study and other related studies on the subject.