Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancée on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe. Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.

Originally published in French as Le prisonnier de la planaete Mars (1908) and La guerre des vampires (1909) by Albert Maercant, Paris.

Sandwiched between Arnould Galopin's Doctor Omega (1906) and Edgar Rice Burroughs' A Princess of Mars (1912), Gustave Le Rouge's masterpiece, Le Prisonnier de la Planète Mars (1908) and its sequel, La Guerre des Vampires (1909), are a Martian Odyssey in which young engineer Robert Darvel is dispatched to Mars ny the psychic powers of Hindu Brahmins. On the Red Planet, Darvel runs afoul of hostile, bat-winged, blood-sucking natives, a once-powerful civilization now ruled by the Great Brain. The entity eventually sends Darvel back to Earth, unfortunately with some of the vampires. The second volume deals with the war of the vampires back on Earth. Planetary romance blends here with "cosmic horror" as the characters switch from swashbuckling he-men to helpless bundles of gibbering terror.

This book begins at the intersection of Dracula and War of the Worlds, both published in 1897 London, and describes the settings of Transylvania, Mars, and London as worlds linked by the body of the vampire. It explores the "vampire from another world" in all its various forms, as a manifestation of not just our anxieties around alien others, but also our alien selves. Unsurprisingly, many of the tropes these novels generated and particularly the themes they have in common have been used and adapted by vampire narratives that followed. From Nosferatu to Alien, Interstellar, Stranger Things, and many others, this book examines how these narratives have evolved since the end of the nineteenth century. Bringing together texts and films from across the 19th, 20th, and 21st centuries, from the far reaches of outer space and the distant future, it concludes that the unexpected and the unknown are not always to be feared, and that humanity does have the power to write its own future.

The Self-Propelled Island is the first unabridged English translation of Jules Verne's original story featuring a famous French string quartet that is abducted by an American businessman and taken to Standard Island to perform for its millionaire inhabitants. The quartet soon discovers that Standard Island is not an island at all, but an immense, futuristic ship possessing all the features of an idyllic haven. Equipped with the most opulent amenities, Standard Island travels the Pacific Ocean, traversing the south archipelagos and stopping at many "sister" islands for the pleasure of its well-heeled inhabitants. These inhabitants soon meet with the danger, in its various forms, that is inherent in ocean travel. Meanwhile, the French quartet is witness to the rivalry that exists between the two most powerful families onboard, a rivalry that keeps the future of the island balancing on the edge of a knife. First published in English in 1896, the novel was originally censored in translation. Dozens of pages were cut from the story because English translators felt they were too critical of Americans as well as the British. Here, for the first time, readers have the pleasure of reading The Self-Propelled Island as Verne intended it.

Throughout history, the mysterious dark skies above us have inspired our imaginations in countless ways, influencing our endeavours in science and philosophy, religion, literature and art. Heavenly Treasures is a truly beautiful book showing the richness of astronomical theories and illustrations in Western civilization through the ages, exploring their evolution, and comparing ancient and modern throughout. From Greek verse, mediaeval manuscripts and Victorian poetry to spacecraft photographs and computer-generated star charts, the unprecedented wealth of these portrayals is quite breathtaking.

Vampire Don Simon Ysido has been captured and held aboard a ship heading to the US to act as a slave, and Dr Lydia Asher must stop it . . . at any cost. March, 1917. The goal of every government involved in the Great War has been achieved: industrialist Spenser Cochran has drugged and enslaved a vampire, Don Simon Ysidro, to do his bidding, and is now on the way to the US aboard a luxury ship. Horrified, Dr Lydia Asher secures her passage on the vessel to rescue her friend from Cochran’s chemical thrall. Meanwhile, her husband makes a dangerous alliance with the vampires of Paris to send Lydia the information she needs about the drug. As they cross the Atlantic evidence mounts that another vampire is hiding aboard the ship, indiscriminately murdering passengers. Lydia knows she must solve both cases before the ship docks, and that breaking Cochran’s hold on Don Simon will not be enough . . . She must kill him.