The lifestyle of a Renaissance prince and his court was a work of art in itself: a dazzling spectacle which propagated the power, dignity and fame of the monarch. The domestic routine of the royal household with its palatial surroundings, restless itinerary and occasional public pageants, provided the framework for cultural activity in its widest possible sense. Fine art, architecture, scholarship, literature, music and piety jostled for attention alongside hunting, feasting, jousting, politics, diplomacy and war. Emerging defiantly from a long and turbulent minority, the adult James V managed to create for Scotland an exuberant and cosmopolitan court, which imitated in miniature those of France, England and the Netherlands, and which carried important political messages. His ambitious programme of royal patronage combined humanist scholarship, neo-classical and imperial imagery, the cult of chivalry and medieval traditions in a blend which sought to galvanise Scottish national identity and enhance the status of the House of Stewart. For many years the reputation of James V has been overshadowed by the tragic glamour of his father, James IV, killed at Flodden, and his daughter, Mary, Queen of Scots. Princelie Majestie reveals that he was an energetic and innovative patron, who in a brief fourteen years created a court culture of remarkable quality and diversity. Princelie Majestie was originally published by Tuckwell Press.

The lifestyle of a Renaissance prince and his court was a work of art in itself: a dazzling spectacle which propogated the power, dignity and fame of the monarch. The domestic routine of the royal household with its palatial surroundings, restless itinerary and occasional public pageants, provided the framework for cultural activity in its widest sense. Fine art, architecture, scholarship, literature, music and piety jostled for attention alongside hunting, feasting, jousting, politics, diplomacy and war.

In Obscene Pedagogies, Carissa M. Harris investigates the relationship between obscenity, gender, and pedagogy in Middle English and Middle Scots literary texts from 1300 to 1580 to show how sexually explicit and defiantly vulgar speech taught readers and listeners about sexual behavior and consent. Through innovative close readings of literary texts including erotic lyrics, single-woman's songs, debate poems between men and women, Scottish insult poetry battles, and The Canterbury Tales, Harris demonstrates how through its transgressive charge and galvanizing shock value, obscenity taught audiences about gender, sex, pleasure, and power in ways both positive and harmful. Harris's own voice, proudly witty and sharply polemical, inspires the reader to address these medieval texts with an eye on contemporary issues of gender, violence, and misogyny.

This book places early modern Scottish maritime warfare in its European context. Its formidably broad range of sources sheds light on many previously little known, or unknown, aspects of naval history. It also provides many valuable new perspectives on the importance of the sea to the Scots, and of the Scots to the naval history of Great Britain.

Evaluates the rivalry between the fertile Stewarts and barren Tudors as critical to the sixteenth-century British Isles, tracing three generations of feuding that led to the violent competition for the throne between Elizabeth I and Mary, Queen of Scots.

Over the last three decades major advances in research and scholarship have transformed understanding of the Scottish past. In this landmark study some of the most eminent writers on the subject, together with emerging new talents, have combined to produce a large-scale volume which reconsiders in fresh and illuminating ways the classic themes of the nation's history since the sixteenth century as well as a number of new topics which are only now receiving detailed attention. Such major themes as the Reformation, the Union of 1707, the Scottish Enlightenment, clearances, industrialisation, empire, emigration, and the Great War are approached from novel and fascinating perspectives, but so too are such issues as the Scottish environment, myth, family, criminality, the literary tradition, and Scotland's contemporary history. All chapters contain expert syntheses of current knowledge, but their authors also stand back and reflect critically on the questions which still remain unanswered, the issues which generate dispute and controversy, and sketch out where appropriate the agenda for future research. The Handbook also places the Scottish experience firmly into an international historical perspective with a considerable focus on the age-old emigration of the Scottish people, the impact of successive waves of immigrants to Scotland, and the nation's key role within the British Empire. The overall result is a vibrant and stimulating review of modern Scottish history: essential reading for students and scholars alike.