A generous selection from the playful, irreverent, and controversial work of Ishmael Reed, one of the greatest African American writers

"BERNHARDT IS A MASTER LEGAL TOUR GUIDE, taking the reader through the labyrinth of the judicial system of America's heartland." --Mostly Murder A young Vietnamese immigrant is brutally slaughtered by a crossbow. The prime suspect is a ruthless member of a white supremacy group. When attorney Ben Kincaid reluctantly agrees to confer with the presumed murderer, he encounters a chilling certainty: an innocent man has been cast as a scapegoat. To rebalance the scales of justice, Ben chooses to represent the accused man--thereby placing both attorney and client at the explosive center of a community torn apart by xenophobia, racism, and violence. But the real fireworks will go off in court--in an incendiary murder trial with more twists than a dustbowl tornado (. "REWARDS ITS READERS WITH A GENUINELY SURPRISE ENDING WHILE ALSO RAISING SERIOUS ISSUES." --The Orlando Sentinel

In the second half of the 1990s, Stuart Eizenstat was perhaps the most controversial U.S. foreign policy official in Europe. His mission had nothing to do with Russia, the Middle East, Yugoslavia, or any of the other hotspots of the day. Rather, Eizenstat's mission was to provide justice—albeit belated and imperfect justice—for the victims of World War II. Imperfect Justice is Eizenstat's account of how the Holocaust became a political and diplomatic battleground fifty years after the war's end, as the issues of dormant bank accounts, slave labor, confiscated property, looted art, and unpaid insurance policies convulsed Europe and America. He recounts the often heated negotiations with the Swiss, the Germans, the French, the Austrians, and various Jewish organizations, showing how these moral issues, shunted aside for so long, exposed wounds that had never healed and conflicts that had never been properly resolved. Though we will all continue to reckon with the crimes of World War II for a long time to come, Eizenstat's account shows that it is still possible to take positive steps in the service of justice.

In his provocative new book, The Tyranny of the Ideal, Gerald Gaus lays out a vision for how we should theorize about justice in a diverse society. Gaus shows how free and equal people, faced with intractable struggles and irreconcilable conflicts, might share a common moral life shaped by a just framework. He argues that if we are to take diversity seriously and if moral inquiry is sincere about shaping the world, then the pursuit of idealized and perfect theories of justice—essentially, the entire production of theories of justice that has dominated political philosophy for the past forty years—needs to change. Drawing on recent work in social science and philosophy, Gaus points to an important paradox: only those in a heterogeneous society—with its various religious, moral, and political perspectives—have a reasonable hope of understanding what an ideally just society would be like. However, due to its very nature, this world could never be collectively devoted to any single ideal. Gaus defends the moral constitution of this pluralistic, open society, where the very clash and disagreement of ideals spurs all to better understand what their personal ideals of justice happen to be. Presenting an original framework for how we should think about morality, The Tyranny of the Ideal rigorously analyzes a theory of ideal justice more suitable for contemporary times.

A defense lawyer’s newest client is a racist—but is he a killer? “Bernhardt keeps his readers coming back for more” (Library Journal). For Ben Kincaid, the forests of Arkansas are a place to escape the hubbub of the courtroom and enjoy the outdoors. But for the thousands of Vietnamese refugees who came through this backwoods area in the mid-1970s, the Ouachita Mountains were a place to begin their new life in the United States. And for Tommy Vuong, an activist among the American-born Vietnamese, the woods are a place to die. When Vuong is found stabbed through the neck beneath a burning cross, the logical suspect is Donald Vick, a member of a local white supremacist hate group who was seen fighting with Vuong the previous day. No lawyer in the county will take Vick’s case, but Kincaid can’t refuse. His new client is sullen, hateful, and demands to plead guilty—even though there’s no evidence linking him to the crime scene. No matter what it takes, Kincaid will bring justice to the backwoods, whether the inhabitants like it or not.

Against all odds, Bobbi Logan, a statuesque transgender woman, has become one of Chicago's most celebrated hair stylists and the owner of one of the city's poshest salons. She is finally comfortable with who she is, widely admired in her community, about to enjoy the success she deserves. Then her impossibly perfect life falls apart. In the space of a few weeks, the Great Recession drags her business to the brink of failure, her beloved ex-wife needs help in facing a terrible tragedy, and a hateful police detective storms back into her life, determined to convict her of the five-year-old murder of John Strand—pillar of the community—and a sexual predator. As the detective builds an ever more convincing case against her, both of them will be shaken by revelations—about themselves, about their own deeply held secrets, and about the bizarre ritual murder of John Strand.

DIVRetired from law, Ben Kincaid is forced to return to the bar when a case—and a corpse—fall in his lap/divDIV After years of struggling, Ben Kincaid shuts down his small legal office and decides to make a living doing something that—compared to practicing law in Tulsa—is easy money: playing jazz piano. He buys a minivan to haul his gear, and gets steady gigs playing in a combo at Uncle Earl’s Jazz Emporium. His new career is just starting to take off when a body falls from the Emporium ceiling, knocking the wind out of Kincaid and sending him right back to his old profession./divDIV /divDIVThe dead woman is Cajun Lily Campbell, a grand dame of the Tulsa music scene and onetime girlfriend of Uncle Earl himself. And Kincaid must be careful as he readies the old jazzman’s defense, because there is a killer on the north side of town who would like nothing more than to hear the piano player’s last tune./div