An unconventional young woman. A haunted young man. A forbidden instrument. Can their love of music bring them together . . . or will it tear them apart? Bath, England 1810 At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician. In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief ’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument … with the help of the dark, brooding Lord Dommick. Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . . Praise for Prelude for a Lord: “A vibrant, page-turning romance sure to delight fans of the Regency Era.” – Sarah E. Ladd, award-winning author of The Headmistress of Rosemere Sweet, full-length Regency romance Will appeal to fans of Bridgerton and Poldark Stand-alone novel

After a successful Hymn Prelude Library series for organ comes a comprehensive set of preludes for all the hymn tunes in Lutheran Service Book for piano. Volume 4 includes all of the hymns from F through G. Each of these pieces can easily be used as preludes, postludes, offering music, introductions, distribution, or even to play at hymn. Wire binding ensures that pages don't go missing at that it lays flat on your music stand. The entire library will include 12 volumes organized alphabetically by hymn tune at its completion.

This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord. She provides more detailed information about each work than can be found in any other reference book on women composers. In addition to biographies for each woman, Heinrich supplies listings of individual compositions, and includes descriptions and sources whenever possible. Each composition is listed in both the Instrumentation Index and the Title Index. Publishers, library sources, and recording companies with their addresses are also provided. There is also a chronological listing of composers by country. Two appendices list a large number of women who have either written music for organ and harpsichord with no specific titles known, or have performed on one or both instruments. This reference book is a valuable resource for organists, harpsichordists, teachers, choral and instrumental conductors, and planners of festivals and recitals.

This delightfully written book tells the story of William John Napier, 9th Lord Napier of Merchiston, who was sent to China in 1834, not to stop the opium smuggling (by which all local officials profited hugely), but to seek a settlement between the British sea-traders and the Cantonese authorities. Known at home as a brave and sensible sailor who had started his career at Trafalgar, William John was noted for his calm and patience. He was at once seen by the Chinese authorities as a dangerous spy - a 'Barbarian Eye'. Though biographical in character, based largely upon Lord Napier's own letters and journals, the book gives an admirable insight into the story of Western contacts over the centuries with the world's oldest and surely, most remarkable civilisation and a charming description of life in England and Scotland in the early 19th century, including life in the court of King William IV, Lord Napier's close friend and master.

“This is a series of stories of what it looks like to walk with God, over the course of about a year.” So begins a remarkable narrative of one man’s journey learning to hear the voice of God. The details are intimate and personal. The invitation is for us all. What if we could hear from God . . . often? What difference would it make? We have a lot to sort through on any given day. A whole lot to navigate over the course of a week or a month. Am I in the right place? The right relationships? How am I going to come up with enough money to do the things I want to do? And what about love—is this the one? Will it last? What is causing all those fears I keep pushing down inside? Why can’t I overcome those “habits” that look more and more like addictions? Am I at the right church? Should I even go to church? What is God doing in my life? All day long we are making choices. It adds up to an enormous amount of decisions in a lifetime. How do we know what to do? We have two options. We can trudge through on our own, doing our best to figure it all out. Or, we can walk with God. As in, learn to hear his voice. Really. We can live life with God. He offers to speak to us and guide us. Every day. It is an incredible offer. To accept that offer is to enter into an adventure filled with joy and risk, transformation and breakthrough. And more clarity than we ever thought possible.

The Encyclopedia offers comprehensive and international coverage of children's literature from a number of perspectives - theory and critical approaches, types and genres, context, applications and individual country essays.

A unique collection of classical piano solos appropriate for church services as well as concerts and personal enjoyment. These carefully edited or arranged pieces represent a number of well-known composers and were chosen because of their indefinable quality of reverence and artistic expression. Each piece can create a feeling of peace, joy, calmness, love, comfort, and an overall sense of well being for the listener. the book includes selections by Scarlatti, Gluck, Schumann, Handel, Mozart, Beethoven, Bach, and many others. the author also provides suggestions of appropriate pieces for various times during a church service. Most of the pieces are intermediate in difficulty; a few are slightly more advanced. the author offers encouragement to the pianist: It has been said that Music is the language of Heaven and cannot be spoken in words. As you play these beautiful pieces, I pray that you will be uplifted as well as the listeners.