A master ceramist and internationally known teacher offers practical information about pottery making as well as insights into the craft's meaning, history, and spirit. Featuring more than 170 photographs, this volume describes and depicts basic forms and their creation using the potter's wheel as well as by modeling, coiling, and slab building.

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.

Covering historical as well as contemporary pottery, this inspirational book presents both philosophical and practical experiences from the 43 year pottery making career of Robin Hopper, one of America's most recognised ceramic artists.

Discover how to develop your pottery design skills and bring your ideas to life from start to finish. Covering every technique from throwing pottery to firing, glazing to sgraffito, this pottery book is perfect for both hand-building beginners and potting pros. Step-by-step photographs - some from the potter's perspective - show you exactly where to place your hands when throwing so you can master every technique you need to know. Plus, expert tips help you rescue your pots when things go wrong. The next in the popular Artist's Techniques series, Complete Pottery is the ideal companion for pottery classes of any level, or a go-to guide and inspiration for the more experienced potter looking to expand their repertoire and perfect new skills. With contemporary design and ideas, Complete Pottery Techniques enables the modern maker to unleash their creativity.

It’s an absolutely unequalled photographic gallery: no other book has ever presented such a varied, captivating collection of contemporary ceramics based on the human form. The works range from representational to abstract, from artful realism to provocative surrealism, and many of them come from leaders in the field such as Judy Fox, Kurt Weiser, and Andy Nasisse. Kay Yourist has produced female forms that are smooth, minimalist vessels with only the slightest hint of breasts and belly. The simple, rounded features of Diane Lublinski’s black-and-white figures possess a fun, clown-like whimsy. Michael A. Prather’s mournful ceramic portraits have frowning faces and pointed dunce-like heads in a muted color palette. Many of the ceramics come with detail images and illuminating artist’s commentary.

This is an up-to-date account of the different kinds of information that can be obtained through the archaeological study of pottery.

Ancient Israel did not emerge within a vacuum but rather came to exist alongside various peoples, including Canaanites, Egyptians, and Philistines. Indeed, Israel’s very proximity to these groups has made it difficult—until now—to distinguish the archaeological traces of early Israel and other contemporary groups. Through an analysis of the results from recent excavations in light of relevant historical and later biblical texts, this book proposes that it is possible to identify these peoples and trace culturally or ethnically defined boundaries in the archaeological record. Features of late second-millennium B.C.E. culture are critically examined in their historical and biblical contexts in order to define the complex social boundaries of the early Iron Age and reconstruct the diverse material world of these four peoples. Of particular value to scholars, archaeologists, and historians, this volume will also be a standard reference and resource for students and other readers interested in the emergence of early Israel.